STORMR Campaign: Olympic Wildness – Pt. II

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Fishermen Simon Pollack and Skyler Vella reload and reseek the elusive steelhead within the Wild Olympics on a recent campaign for STORMR foul-weather gear.

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For a complete portfolio, please visit www.CameronKarsten.com

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STORMR Campaign: Olympic Wildness – Pt. I

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 Walking into the Olympics of western Washington is a step back into time. Undisturbed and wild America – a land of the tallest trees, isolated mountains, rugged coastline, and an epic run of salmon and steelhead. Here’s a sneak peek at a recent campaign for STORMR foul-weather gear with fishermen Simon Pollack and Skyler Vella.

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For a complete portfolio, visit www.CameronKarsten.com

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Vodou Footprints: A Faraway Land in Benin’s Cradle of Vodou

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Geography, for many Americans, is that daunting and embarrassing mystery—a dim knowledge largely confined to wartime allies, historical enemies, and the occasional topical hotspot. Beyond this so-called important handful—Western Europe, the Middle East, possibly China or Japan—everything else is clumped together into a world of unknowns.

When I told acquaintances of my impending trip, the average response was somewhere between hesitance and puzzlement. Like a jargoning doctor to the common patient, my words didn’t ring many bells.

Well, perhaps Benin is a faraway land.

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Admittedly, I too couldn’t place Benin in its exact location prior. West Africa, I’d say evasively, somehow hopeful that several nations would willingly surrender their unique identities to their greater region. Technically, I wasn’t wrong. But not surprisingly, I soon discovered that Benin deserved far more respect and scrutiny than I had originally expected. Take a closer look and you’ll begin to unravel a majestic tangle of complexity and misconception.

Benin borders Nigeria’s western edge, touches Togo’s eastern boundary, and supports Niger and Burkina Faso above. It is one of those tiny West African countries that stretch north to south. Sneeze and you’ll miss it. In fact, picture Africa’s western shoreline as a nose. Benin sits just beyond where the mouth and the nose would meet—at the nostrils, if you will—a sliver of land anchored by the fabled Bight of Benin.

And then there’s magic. In the West, the word conjures up David Blaine, television’s greatest living magician. A levitating, fire-breathing, death-defying illusionist. A beloved celebrity of record-setting endurance. A talent, no doubt. From the Beninese perspective, however, he is not a man of magic. Call him master of deception. Magic in Benin is a way of life.

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Everywhere there is magic. It’s in the red earth of the landscape, the throbbing fury of the sun, and the relentless currents of the great flowing rivers. It’s their religion—a religion in which the interactions between nature and humanity are cherished and respected every day. Magic is Vodou. And with 4,000 years of magic backing it up, Benin is the undisputed cradle of Vodou.

Personally, I believe in magic, both as a form of deception as well as a supernatural expression of the energies beyond ordinary comprehension. For millennia, Homo sapiens—the self-proclaimed wise man—has existed, evolved, and generally erred, all the while attempting to explain: What lies beneath? What forces create the churning seas of the ocean and the gyrating clouds of the sky? What energies course through veins and roots alike? Indeed, what does our cunning and craft amount to aside vast incomprehensibilities? Our attempts to solve breed yet further questions. No matter our advancements or industry, the sun still rises and the moon ever orbits to a language seemingly all their own.

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Countless cultures have contrived to explain these fundamental phenomena. Some grow. Most fade beneath the all-consuming flames of war and oppression. And yet, incredibly, amidst the largest powerhouses of the world, there exists a small country—undeterred by the folly of others and sorely ravaged by the horrible histories of slavery—where the primeval practices still prevail and the honor of the mysteries of the world take precedence.

Cast aside the linear mindset and the textual teachings of the West. Simply observe what is before you and what has come to pass. Only then will you understand Benin. Here the supernatural and natural worlds converge; everyday occurrences take on special meanings; and the privileged traveler may join the setting sun into the obscurity of a secret and sacred society to appreciate the mysteries of what Benin declares its official religion: the worship of the Vodou.

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It is a world of shadow and dance. Of masks, scars, and tattoos. A country where Kings remain the Kings of Kings, and the leopard and snake reign in the household tale. Feel the pulsing rhythm of Vodou, transcend the merely tangible, and let the beat of the drum lift your mind into the realm of the metaphysical. Once you have crossed this threshold, once you have heeded this singular call, the world around can never be the same.

For us, there is no retreat. There is only the universal language of Vodou, and together we will drink from this bottomless cup.

Together we’ll reach a faraway land.

Next essay –>

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Vodou Footprints: Origins of Vodou (West Africa)

The Mono flows out into the sea on a bleak, wind and sand-blasted beach that is not very likely to entice you in for a swim…If your interest is in Voodoo then with luck (and some bravery) you might be able to persuade someone to paddle you over to one of the villages hidden on the backwaters where the Voodoo spirits are especially active…One village especially, Kpossou Gayou, would be fascinating to explore, but the chances of getting someone to take you are very remote because of the sheer power of the Voodoo here and the bad vibes surrounding it. It’s said that the fetish is so strong that almost anyone can hear it speaking quite openly and most of the boatmen in the area are much too frightened to take a foreigner there.

Butler, Stuart. “West of Cotonou.” In Benin: The Bradt Travel Guide. Chalfont St. Peter: Bradt Travel Guides, 2006.

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These were the words that sealed my fate—that stirred an inexplicably ancient power and compelled my to explore. Something deep within was awoken. Something unfamiliar, incomprehensible, perhaps unknowable. While the boatmen supposedly trembled with fear at the mysterious forces, I tingled with desire. With each new mist-shrouded image or wind-savaged vision, a growing vortex drew me down towards the vague, inscrutable center. Determined not to flee, I embraced it unnervingly.

The more I read, the more I realized the sheer inevitability. Wants became needs, and more than curious, I was famished for answers and driven by pure adventure. There was no turning back.

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But first, some backwater backstory: Vodou, established by short-term president Nicephoro Soglo, became the official religion of Benin on Jan. 10, 1996. Subsequently, this day became the National Day of Vodou, when the world’s largest Vodou festival occurs every year in the old slave port of Ouidah. And yes, I soon realized I was going.

A project plan emerged. Guesthouse. Driver. Guide. An itinerary with just enough structure, but purposefully rough to match the raw mystique of our journey. In total, 37 hours of travel, 37,000 feet above the earth, separated us from departure in Seattle to touchdown in Cotonou, the unofficial capital of this land called Benin. Across ocean, sea and desert, those fateful readings would finally come to life.

Of course, Vodou (or voodoo to our ears) is anything but the doll-and-pins novelty it’s often indifferently ascribed. Rather, it is an active mysticism that has weathered thousands of years on the continent of humanity’s birthplace. As such, in undertaking our own journey, we also endeavored to understand Vodou’s journey: from its cradle in West Africa, its reluctant passage across the unforgiving slave route, and its ultimate assimilation into the cultural and religious stew of the West—thousands of miles and meanings away from its native land. But I digress; it’s time to approach the destination ahead. Pluck up your courage. Open your eyes and ears to the spirits. And follow closely as we enter: Vodou Footprints – Origins of Vodou.

Next essay –>

Global-Educates

The heart of the Lower Omo Valley, Ethiopia

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Hamar territory – Lower Omo Valley, Ethiopia 

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An orphaned elephant being fed at the David Sheldrick Wildlife Trust – Nairobi, Kenya 

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 A dry riverbed in the Lower Omo Valley. The government’s proposed dams have dried up the Hamar’s traditional water sources

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In the riverbed – Lower Omo Valley, Ethiopia

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The Wild West of Nigeria – Niger Delta, Nigeria

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Jinka’s town square – Jinka, Ethiopia

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America’s Gun Culture: The Young Guns

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America has a gun problem. According to a Small Arms Survey in 2007 , 88 out of 100 Americans own a gun. That’s worthy of world domination. And after the latest elementary outbreak of gun violence in Sandyhook, Conn., questions continue to raise about the connections between guns, violent video games, and our American youth. Here are some images from an on-going project involving America’s young guns.

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One mother I spoke with regarding the project declined to take part, but mentioned a story about her son. He was never permitted to play with toy guns. He wasn’t ever exposed to them in their household or on television. And she was unaware about any activities involving toy guns at their friends’ homes, but as soon as he reached a certain age where he began to develop his own personality, walk and make decisions on his own, something became apparent. When they would stroll on the beach or trek in the woods, the boy was instantly drawn toward sticks. These inanimate objects took on a life of their own. They became his toy guns. To this day she refuses to buy him any of these colorful plastic pieces.

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When the United States military encourages their soldiers to play violent video games while on leave, and as the advent of drones is taking presence above foreign skies, it is intriguing how large the gaming industry has become. Not only is it exciting, competitive and imaginative, but it is also a fantasy world without consequences besides GAME OVER. From Mario Brothers to Grand Theft Auto, there has been an incredible evolution, blurring the lines of reality. America’s youth are also hooked.

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For more, please visit America’s Gun Culture

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Coast Mountain Culture Magazine (Winter 2013/2014) – Board Artisan

KellyFooteSpreadKelly Foote is a good friend and amazing surfboard shaper. We have a few more projects in mind that we’re currently developing, so stay tuned. However, here’s a lil’ tid bit written up on Kelly’s unique shaping talent and killer lifestyle on the Olympic Peninsula in Coast Mountain Culture’s newest issue, along with a great shot of mine that fits the spread nicely. Well done Mr. Foote and thanks CMC!

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Ethan Currier – Sculpting the Power of Stone

EthanCurrier-366To cut stone sounds like a recipe of alchemy. But it takes power, not always the power of enormous piston-driven spikes and powder-lit explosives. Often, with the right hand-tools and visionary skill, rocks can be as easily molded as clay. Meet Ethan Currier.

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EthanCurrier-244When on Bainbridge Island, Ethan lives in Eagle Harbor aboard his 1940s’ refurbished navy boat, building unique rock sculptures by day. Located in a small modest workshop, which once ran as a single-pump gas station, Ethan brings in specific stones to match his concept of upcoming projects, visualizing their forms and structure prior. By design and with the use of few hand-tools, these ordinary stones take on new organic shapes.

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EthanCurrier-235Having spent the summer on the east coast working on boats and building commissioned pieces for personal gardens and cityscapes, Ethan continues to create, building a reputation and potential-future following like those of artists Andy Goldsworthy and Dale Chihuly. A controvertial sculpture on a city-owned island Blakely Rock brought him in contact with people who both love and disapprove of his work. Over four nights in the middle of winter in 2012, Ethan installed a 12-foot tall stone man in the common yoga posture Tree Pose. Visible from the east shores of Bainbridge Island, as well as along the Seattle-Bainbridge ferry route, the sculpture has become in need of further special attention. Upon his recent return, people have continually asked him about it. He responds with a calming smile, “It needs repairs.” Locals now are expressing their interest in helping in anyway possible in its resurrection.

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Robert Carlson’s Glass Mind

BobCarlson-15Robert Carlson is an internationally-renowned glass artist and a master not in disguise.  Bob lives his life as an artist, from his work to his art collections and the uniqueness of his home, to the way he parties and likes his martinis.  I had the opportunity to photograph Bob while he was an artist-in-residence at the Museum of Glass Hot Shop in Tacoma, Washington, where he came up with and devised his newest creations from an imagination wild. Bob is pictured up, sketching his latest invention, pulling from depths of his mind something real.

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BobCarlson-448On-hand apprentices assisted Bob throughout the week-long residency. Typically, after the glass is blown and cooled, he’ll spends months with the pieces, studying their forms and subtle messages found within shapes and processes.  Next he employs a reverse-painting technique using mirrors to create the imagery. These will appear on the back side of the glass structures, which take on a whole new dimension while viewing through the various refractions of glass.

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BobCarlsonVert-044-EditHowever, after observing the unusual orbs and their phalangeal crystals, Bob decided otherwise and kept the mirrors on their walls and the pigments in their cans. The work was completely new and glorious in their own form. They are both animalistic and alien. They explore the connection of sexuality and misplaced possession. The glass art can be placed on one side and quickly flipped to be placed on a new set of legs, changing the viewers understanding of what is and what can be. These pieces are works of a genius, derived from a life undisguised from beauty itself.

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India – People + Places

They-Told-Us-To-Sit---Version-3India is a monstrous mothership of light.  I’ve spent 8 months total in the country, traveling from north to south along the west edges.  It is its’ own planet, huge and all-consuming.  I love reflecting back on my travels; the people, culture, food, the lessons learned.  I can’t wait to return.

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Shiva's-MaskingShiva on the streets of New Delhi

Thoughts-of-Another-Home---Version-2Exhaustion in exile in the Himalayas

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For more, please visit Travel at cameronkarsten.com

Cameron Karsten Photography

 

Alpine Lakes Wilderness Area (B+W)

AlpineLakes2-29The Alpine Lakes Wilderness Area north of Interstate 90 in the Cascade Mountains of Washington State.  The land of 700 lakes.

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Cameron Karsten Photography