Preserving 38: A Bainbridge Island Land Trust Success Story

At the start of 2025, Bainbridge Island Land Trust came to me with urgency; 38 acres of pristine forest was up for sale to the highest bidder. The Grand Forest East now had a price tag, and in today’s land grab, the outcome could be disastrous. Within this expanse of wildland is a network of intertwining pathways that allows the broader community to experience the serenity of the outdoors. It is a place of activity, hills and valleys of ferns and moss were people gather to walk, hike and bike; and safe trails for the local cross-country team to train upon; as well as horseback riders searching for rays of sunlight piercing through the canopy up high. It is a room without walls for an overall experience of mental health.

Not only do the local residents thrive within, but the native flora and fauna thrive as well with little to no noise pollution disturbing the air between the woodland’s thick fur stands. Various fungi find the shade and moisture between a natural compost, and species from raccoon, owl, black bear and deer pass through as a part of a larger natural causeway for animal passage.

So with a deadline of one month I was tasked to capture still photography and a dozen or so motion vignettes of the people and their activities within the 38 acres that represent for the community as a whole. Released online and varying social media channels, the BI Land Trust in partnership with the Parks and Trails Foundation were able to secure the necessary funding to purchase the land and preserve the heritage of a wild outdoor space for generations to come.

For more visit www.CameronKarsten.com | www.the-subconscious.com

Amazon from A to Z

We covered the spectrum this year with Amazon, capturing 3 different campaigns for various departments. The first one was my favorite in terms of planing and logistics, and making sure the skill of anticipation was properly tuned. The 2nd and 3rd were more storytelling processes, highlighting the teamwork, effort and energy put into Amazon deliveries. Ultimately, this is a story about commerce and how it moves, and the people that move it, across the country.

For the 1st campaign we traveled to Los Angeles, piggybacking on a motion campaign. We captured the A to Z of Amazon delivery, specifically highlighting the new Amazon Intermodal container branding. From trains and tracks and yards, to trucks and the excitement of fulfillment centers, to passing planes, it was an extensive effort in planning, including loading a BNSF train with only Amazon Intermodal containers and traveling from Chicago to LA just for a mountain pass shot.

The 2nd campaign was a quick 1-day shoot of personnel delivering boxes, from the sorting centers to the delivery truck and on the streets to a front doorstep. The final assets land as classroom wraps where trainees will be taught the process. It was an in-the-moment shoot, often creating something out of nothing, whether camera angles, foreground elemental distractions or manipulating backgrounds to appear as if we were not located in the Pacific Northwest.

Lastly we were in Virginia, where a man by the name of Bayar Palani has partnered with Amazon Relay to help deliver Amazon packages throughout the region. This partnership has helped Bayar grow his business exponentially and create the dream-life for he and his family. As an immigrant, whom traveled halfway around the world with his parents to seek better opportunity, he is a perfect example of what hard work, dedication, belief, and persistence take to open the right doors and fully live one’s dreams for a better future. He is the perfect example of what all persons should have the opportunity to create.

For more visit www.CameronKarsten.com

An Italian Garmin

Well, when you get a call like this, there is no answer besides an astounding YES! With the request for a more luxury marine shoot for Garmin in the Mediterranean waters off the coast of Genoa, we dropped all other things and flew east.

For deliverables we created a library of still assets for mutliple products, the main being their large Chatplotter screens, as well as their new Fusion Apollo speakers, and various marine watches built for the boating industry. Likewise my team produced 4 motion pieces for the necessary product releases. Of course there were travel delays, equipment hiccups, and the need to pivot and accept the difficulties of creating a campaign in a foreign culture.

For more visit www.cameronkarsten.com and www.the-subconscious.com

Spring in January: Tideland Magazine and WaveKelly

This was a tiny editorial shoot in January, with an emphasis on spring outdoor athletic wear by WaveKelly. The trick? Find the best model, a Pacific Northwest talent who knows the PNW cold in January. Meet Lauren Alexander. Pro.

For more visit www.CameronKarsten.com and www.the-subconscious.com

Baja Sur – Grundens South of the Border

Baja California… everything is always better with Baja in it. A taste of Grundens 2025 Spring Collection from where the desert meets the sea. A source of inspiration for your weekend of adventure. Get outside.

For more visit www.cameronkarsten.com | www.the-subconscious.com

Represented by The Gren Group

Seattle Central’s Alumni Spotlight: Cam Karsten

Here’s a retrospective of my path to commercial photography via Seattle Central’s Creative Academy. Always a treat to have someone interested in your story, and the hope to inspire others to follow their dreams. Original post can be found here.

For budding photographers, Seattle Central Creative Academy alumni Cameron Karsten (‘12 [I think ’13…]) offers simple, yet pragmatic advice: “Shoot what you love.”

After developing a passion for photography while backpacking and blogging across the globe, Karsten was eager to turn his passion into a career. Now, as a highly sought-after commercial photographer with an expansive clientele, he has made a living from capturing those very things he loves: hiking, surfing, and fishing.

Raised in California and the Pacific Northwest, Karsten developed an early love for the outdoors. “I was an explorer,” he explained. “I was outside most of the time, whether it was riding bikes, fishing for salmon in the fall, or just experiencing nature.” Karsten also feels lucky that his single mom instilled in him a love of travel from a young age too and recalled driving to Mexico several times a year when the family was based in southern California. “And so that imbued a love of travel and of going somewhere new and not knowing the final destination,” he added.

When Karsten wasn’t exploring outside, he recreated scenes from the outdoors in the classroom. He never gravitated towards formal art classes, instead filling his notebooks for other subjects with realistic sketches. “I’d picture a place that I wanted to go, and I would draw it realistically,” he said. “And I think that also played into telling stories with pictures, instead of with words.”

Karsten attended college in Los Angeles, where he quickly realized city life wasn’t for him. “I didn’t like much of anything except the ocean down there,” he admitted. This dissatisfaction led him to take what he thought would be a one-year break from college — a gap year that ended up stretching into six years of travel around the world.

Karsten’s goal during this academic hiatus was to become a writer. “I was collecting stories and characters, learning through real-world experiences rather than studying books and taking tests,” he explained. At first, Karsten would hunker down at internet cafes to write stories to his friends and family. But when he discovered a travel blog community of fellow backpackers, he started sharing his travelling tales to a much more global audience under the blog name cam2yogi, a nod to his deep interest in Buddhist philosophy he developed travelling through Asia.

It was during this time that Karsten’s interest in photography began to take shape as well. With his film camera — and later, a tiny digital point-and-shoot gifted by his family — he began using photography to complement his written storytelling.

To his surprise, readers praised his photos as much as — and sometimes more than — his writing. “People would say, ‘your photos are fantastic.’ Because of that encouragement and feedback, I started falling in love with taking pictures and looked forward to capturing the best moment to include in whatever story I was trying to tell.” As his network and skills grew, Karsten sold some of his blog posts as articles to smaller travel magazines.

After six years of wandering the world with his pack, his stories, and his cameras, Karsten returned to the Pacific Northwest — and felt more restless than ever. His travels had provided him with a wealth of experiences, but he was still searching for a way to channel his creativity into a sustainable career.

It was a woman he met — now his wife — who helped him put down roots in Seattle. She worked as a photo stylist at the time and connected Karsten to several commercial photographer contacts.

“I realized that the whole traveling lifestyle was going to be on pause because I was in this serious relationship, and I started learning more about the commercial world and what was available to me as a career,” he said. “And every commercial photographer I worked with within the Seattle area was like, ‘Hey, if you want to do this seriously, go back to school.’”

Karsten took their advice and looked into Seattle Central College’s Creative Academy. “It was a no-brainer,” he said. “The program was highly recommended and close to home.” He enrolled in the two-year Commercial Photography program, which has since been folded into the current Visual Media program.

At Seattle Central, Karsten found the structure and mentorship he needed to hone his craft. “The first year was all about learning the fundamentals of commercial photography — like continuous versus strobe lighting,” he said. By the second year, the structure of the program shifted towards encouraging students to find their niche and lean into their creative strengths to set them up for real-world success. For Karsten, that meant focusing on storytelling through outdoor photography.

“Growing up in nature, I could not stand being in the studio working with inanimate objects,” he said. His instructors, like the retired Alejandro Tomas and the late Robert Milne, recognized his passion and gave him the freedom to pursue it. “They said, ‘If you want to be outside, go be outside.’ That support made all the difference.”

“[This photo] resembles my path to steer away from the studio and practice my light skills to shoot outside,” Karsten said referencing the following photo from his days as a student at the Creative Academy.

Karsten remembers feeling like he was in a vastly different stage of life than his classmates who were fresh out of high school. He and his wife were starting a family by his second year of the program, and knew he had to take school seriously. “It was my career,” he said.

He credits his professors, Tomas and Milne, with imparting the technical skills necessary to make his career but also offering mentorship that bridged the gap between the classroom and the professional world.

“I loved the one-on-one conversations with them,” he recalled. “They weren’t just teachers — they were adults, and I could relate to them. Those conversations were less about school and more about photography as a career. That’s what really stands out to me.”

After graduating from Central in 2012 (2013…), Karsten made it his goal to build up a professional portfolio of work while simultaneously enjoying his favorite outdoor activities in the Pacific Northwest. He took his camera with him whenever he and his friends would camp, hike, or hit up the beach.

Karsten tried photographing surfing at first, but found it was too hard to stay off the waves. He realized that shooting his friends fly fishing was different, and it soon became a subject that dominated his portfolio. This work also caught the eye of his first major client, Grundéns, a commercial fishing gear company.

“I brought a really nice, printed portfolio and as [the marketing professional] was going through my work, he was like, ‘Hey, this is great. You want to go to Norway?’ and I was like, ‘what!?’” he explained. “So, the next thing I knew, I was on a plane to Norway to photograph cod fishing for this company. And from there we went to Guatemala, the Florida Keys, and Alaska.”

By continuing to capture subjects he was passionate about, Karsten’s portfolio expanded to include work with other high profile outdoor recreation and technology brands, like Patagonia and Garmin Marine.

In recent years, Karsten has returned to Seattle Central, not as a student but as a professional, supporting the college in a variety of photography and videography projects.

“I’m always like, ‘Yep, let me block my calendar because of course I’m there for you,” he shared. “It’s part of just paying it forward and trying to give them my all, since they gave me their all and got me to where I am today,” he said.

While Karsten continues to shoot a variety of subjects for his clients, he finds the most enjoyment — and conveniently, work — shooting those very things he loves, like nature and outdoor recreation, echoing the subject matter he captured on the point-and-shoot he carried with him throughout his backpacking adventures. “When it’s a personal project, your passion shows through, and that’s what attracts clients,” he said.

He travels less now, prioritizing quality time with his wife and two daughters, eight and 10, but still cherishes every moment he gets to spend outside with a camera in hand.

As Karsten prepares for his next project (Nov. ’24) — photographing warm-water fishing in Baja California for Grundéns — he reflects on the impact Seattle Central has had on his less-than-traditional path. “Seattle Central gave me the tools, the trust, and the freedom to build a career I love.”

For more visit www.CameronKarsten.com | www.the-subconscious.com

Albertsons’ Memorial Day & Summer Campaigns

Summer in Los Angeles in February. We spent three days capturing the warm summer vibes of LA at 70 degrees. Produced by HyperionLA with a skilled crew of assistants, DigiTech, HMU and food stylists, let alone the creatives from Albertsons – it was all perfect… except for the locations. One house’s online profile turned out to be smoke and mirrors; completely disheveled, which included an immobile RV parked in the yard trailing a long yellow extension cord through a maze of untidiness, a dilapidated trampoline with it’s walled netting looking like a marooned salmon fleet, broken and water-logged playsets and plastic debris from the pool’s detritus filled waters, all nestled on patchy green crab grass, which didn’t offset the large swaths of chocolate brown dirt bearing no life (and not to mention the pile of dog shit which filled a commercial-grade trash can to the brim… and sat in the yard’s corner). Our first shot on the list was, needless to say, behind schedule.

The second location housed a menacing manager who restricted all movement until he offered a bribe and was paid an additional fee. This eventually permitted further access into his four-walled cavern. And as it turned out, the homeowner was his father, a kind man who had no idea what was actually happening as about 20 personnel moved gear throughout the interior and exterior of his home. It was true. We needed all the space we could get. And it paid off.

For more visit the Albertsons’ Project gallery

www.CameronKarsten.com | www.the-subconscious.com

Photographer + Director represented by The Gren Group

Hoselink’s US Campaign

Hoselink traveled from Australia to shoot their first US campaign in Portland. Over two days, we faced equipment issues from cameras to monitors to unsuccessful connection, and still with smiles on our faces, successfully captured the desired stills and motion. In this industry, we are problem-solvers, but the key is; how do you handle yourself and others around? Ultimately, the aim is to exceed client expectations and ensure their return for future projects, highlighted by a positive, collaborative atmosphere.

It’s always fun to work with new clients, their vision and personalities. So fingers crossed…

www.CameronKarsten.com + www.the-subconscious.com

Represented by The Gren Group

The Forgotten Seasons: Down the Pacific and Back

As part of an on-going series titled The Forgotten Seasons, I’m constantly training my eye on my family, not only as a father and partner, but as a photographer, seeking those moment of joy and elation, those times of overt emotion and strained tension, as well as the things of pure absolute beauty.

The project began back during 2020 Covid lockdown, when our expanding worlds as a young family shrunk and became isolated. Work disappeared and we found ways to be creative with what was within our immediate circles. To keep developing my career among the long hours of idleness, I enrolled in an online photography program taught by David Alan Harvey, and it was here I was encouraged to pursue the muses right in front of me; the ever-changing growth and evolution of familyhood.

This current series reflects an end-of-the-summer roadtrip, with our parental patience already worn thin, down the Pacific Coast and back before the long-awaited start of the next school year.

For more visit www.CameronKarsten.com

Trothe Wine 2024 Harvest

I absolutely dig the client who also becomes a friend and a colleague, along with his staff of people working hard to create and grow the business. Jeff Andrews at Trothe Wines is one of those people and clients.

It was the 3rd time I visited their vineyards, whom I was introduced to via the Seattle-based creative agency DoubleKnot back in 2021. I returned this fall to capture stills and motion of their new harvest, helping their luxury wine brand grow from its foundation to a profitable consumer product.

Throughout the 2.5 days I spent at the vineyards, I shot on 3 different still cameras (Canon R5C, PhaseOne XF with an IQ260 back and Leica Q2), two RED cameras (Komodo on gimbal system and Epic handheld), and one drone (DJI Mini 4 Pro). I shot natural light and Profoto strobes for portraits and accents on subjects, as well as tethered for product bottle shots. All-in-all, the diversity of mediums and imagery keeps my creativity spinning, an inexhaustible source following the light and creating the light when necessary. Motion edited by Sam McJunkin. Visit http://www.trothe.com for more.

For more work visit www.CameronKarsten.com

For video production www.the-subconscious.com