Photo Essay: Graniel’s Dreamland Product Photography, Wooden Bowl

After traveling to Ambergris Caye in Belize, photographing various artists utilizing the skill and exactitude of their hands, I purchased one of the wooden bowls from Graniel’s Dreamland as a gift, gifted, took it back and brought it into the studio… whew.  And now it’s done.

Bowl_Full

Full bowl studio shot

Bowl_Worker_CatSpread

Close-up bowl studio shot combined into catalog spread with on-location workshop shot

Photo Essay: Catalog Spreads

After weeks and months of design, storyboarding, preproduction, shooting and post, the following seven catalog spreads are finally complete.

Bee vs. Bee-keeper: Above is a shot of a Northwest bee-keeper harvesting the season’s honey, while to the right a bee flies, stinger ready, protecting the colonies winter surpluses.

Foote Board:  Inside his mobile shaping room, PNW surfboard shaper Kelly Foote sands down a new design.

Carlson’s Imagination:  Internationally-renowned glass artist Robert Carlson prepares the next phase of his creative process, applying paint to the artforms.

Prince Rolex:  An early 20th century Rolex watch worn in style.

DDT Apocalypse:  DDT, a pesticide banned in the US, explodes with devastating consequences.

Lang Tattoos:  Woodblock print artist Tracy Lang transforms her career as a tattoo artist.

Kelly Foote Surfboards:  A new design, a new board, more waves.

 

Photo of the Day: Robert Carlson’s Glass-Blown Imagination

 

Internationally-renowned glass artist Robert Carlson recently spent one week as the Artist-in-Residence at Tacoma, Washington’s Museum of Glass Hot Shop.  Here, he worked with the shop’s artists and interns to create the next line of imagination: 10+ orbs of glass weighing from 5 – 25lbs, each unique with twisting sculpted tentacles and bulbous knobs and hooks.  They now await to be adorned with color.

Location: Carlson Studio

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/50 sec at ƒ/22, ISO 100, tripod.

Post: Adobe LR4 & PS6

Photo of the Day: Bee vs. Bee-Keeper

Location: Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens and Canon EF 100mm f/2.8L IS USM Macro Lens

Composites

Post: Adobe LR4 & PS6

After my adventures with bee-keeping, I spent an afternoon this fall harvesting 20lbs of fresh honey from my hives.  I could have collected more, but the honey they gather throughout the spring and summer becomes their food surplus for the cold fall and winter months ahead.  They were already pretty pissed, as one can tell.

Photo of the Day: The Shop Shifter

Location: Undisclosed

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

16mm composite with a variety of settings, ISO 320, tripod.

Post: Adobe LR4 & PS6

Photo of the Day: The Trailer Room

Location: Undisclosed

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

16mm, 1/25 sec at ƒ/10, ISO 320, tripod.

Post: Adobe LR4 & PS6

Working on a video project with a surfboard shaper, I decided to grab a quick shot of the man in action.  And the board he is shaping will be shortly in the water under my feet.

Photo of the Day: The Bee-Keeper

Location: Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

21mm, 1/6 sec at ƒ/22, ISO 100, tripod.

Post: Adobe LR4 & PS6

Photo of the Day: Strive

Location: SCCA Studios & CK Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

composite w/variety of settings, ISO 100, tripod.

Post: Adobe LR4 & PS6

Photo of the Day: FCS Fins

Location: SCCA Studios & CK Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

composite w/variety of settings, ISO 100, tripod.

Post: Adobe LR4 & PS6

Photo of the Day: The Grinder Diptych

Inspired by Mustang Matt’s Honorable Mention in The Lucie Foundation Awards, I finally took the time and necessary steps to combine the two images into a final diptych.  The portrait of the DeWalt Metal Grinder required rework, exchanging the original yellow vignetted background for a strong maroon in order to coalesce with the light inside the aged Mustang.

Location: SCCA Studios, CK Studios and On-Location

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 24-105mm f/4 L IS USM Zoom Lens and Canon EF 100mm f/2.8L IS USM Macro Lens

composite w/variety of settings, ISO 100, tripod.

Post: Adobe LR4 & PS6