Photo of the Day: Casey Zautke of Barn Owl Builds

Casey Zautke of Barn Owl Builds prepares a beam of fir for a conference table

Hot off PS6, I’m stoked with my most recent image.  Shot yesterday with Casey Zautke of Barn Owl Builds, he and his brother Josh own a customized furniture company. Each piece of reclaimed wood is hand-picked specific for each order.  Here, Casey runs a thick fir plank through a joiner in order to flatten its surfaces as they begin constructing a conference table.

Over the next couple of months I’m thrilled to be working with them, creating content for their brand and new website.

Location: Barn Owl Builds – Seattle, WA

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

16mm, 1/60 sec at ƒ/10, ISO 100, tripod, composite.

Post: LR4 & Adobe PS6

Cameron Karsten Photography

Photo Essay: Ryderville Ink’s Tsunami Over Mt. Baker

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Tracy Lang moves from huge woodblock prints to the art of the tattoo.  Welcome the new Ryderville Ink.  Unlike any tattoo I’ve seen before, her Tsunami Over Mt. Baker wraps the right shoulder with a pinhole view of Mt. Baker as the body’s shoulder blade carries a wispy yet powerful Japanese-style tsunami over its summit.  Bad ass. And if you would ever want a piece of art on your body, it would be by Tracy Lang of Ryderville Ink.

I shot this series of images as Tracy’s friend Shelley from Whidbey Island sat through the final three hours of work.

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Cameron Karsten Photography

Photo of the Day: Athena Devouring Her Soldiers

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Inspired by Francisco Goya’s 1819-1823 oil painting Saturn Devouring His Son, the above project speaks of humanity’s innate compulsion to send its soldiers into the throes of death.  We fight for land.  We fight for possession and power.  It is our willingness to send man and woman into war; and Athena above, goddess of warfare (and wisdom) unleashes her rage over the very men and women we as a people send into battle.

On the other side of the coin, we also fight for freedom, for a voice, for the ability to live our lives as we choose.  There are always two sides, our decisions coming from a place we find within ourselves.

Shot with three Q-flashes, black back drop, and a 6-stop neutral density filter allowing me to shoot wide open, I brought the subject as close to the wide angle lens as possible to create distortion in her face and hands.  Goya’s image is offered below for reference.

Location: private residence

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

16mm, 1/80 sec at ƒ/2.8, ISO 100, tripod.

Post: LR4 & Adobe PS6

Cameron Karsten Photography

Screen Shot 2013-03-11 at 1.23.58 PMFrancisco Goya (1819-1823 oil painting) Saturn Devouring His Son

Photo of the Day: The Gun Buy-Back Program

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An idea pops into your.  You’ve been listening to the radio, following current events, examining your place in the constant shifting world.  Then the idea takes shape, morphs into words, thoughts, conversations and a variety of imagery.

The gun buy-back program has been incorporating our society.  The process flowed through my brain-waves and thus the above image.  I wondered about the origins, the beginnings of such violence permeating humanity.  Then I read an article in this month’s National Geographic entitled The Left Bank Ape, which explores the unique adaptations between two species along the Africa’s Congo River.  The north side (or right bank) are our common ancestors, the chimpanzee, whom we share 98.4% of our genetic DNA, while the south side (or left bank) is the bonobo.  And what makes these two species of primates markedly different are their social behaviors; during disputes the chimp is more aggressive, often resulting in death, while the bonobo prefers the tender acts of affection and using sex to solve issues within the community.

Observing today’s violence around the world, I ask:  Where did we come from?  Where are we going?  And what are we doing to get there?

Cameron Karsten Photography

Photo Essay: Aaron’s VW and The Sequester

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Aaron Kuester is a busy man.  With a wife and 3 year old son, work as a steel-shaper of sorts at Kitsap’s Naval base, and an enthusiastic car builder and racer.  Currently, he’s working on building a custom Volkswagon Beetle Baja Desert Racer, not necessarily for the Baja 2000 Off-Road Race, but some day… some day.

But with The Sequester approaching on March 1st, 2013, government spending-cuts will affect Aaron and his family.  As an employee repairing the steel parts of submarines and naval ships, the full-force of the $85 billion-dollar cuts would mean his 5 day work-week will crunch to 4 days within the 22-day furlough.  Anything longer will be technically a lay-off, which Aaron, as well as every other government employee, hopes will remain a distant impossibility for him, his family, and his hobby.

On a quiet President’s Day afternoon, Aaron invited me into his garage, and below are some of the images I created with four strobes, some daylight fill and a little PS6.

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Cameron Karsten Photography

Product Photography: Rwanda Partners Bowl Series

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By approaching Rwanda Partners and offering them my help, I scored the opportunity to take a selection of their bowls into the studio and photograph them for their website.  With three lights, some plexi glass and fishing line, I was able to create a clean, depth-defining product shot to help them better portray their products.  Hopefully, more opportunities will arise with Rwanda Partners after the initial shoot.  Visit RwandaPartners.org for more.

Location: SCCA Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/160 sec at ƒ/16, ISO 100, tripod.

Post: Capture One & Adobe PS6

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Cameron Karsten Photography

Product Photography: Toxicity

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Found within a friend’s basement, these bottles were too characteristic and entirely toxic to pass up.  Setting up in an open-air carport settled the minimum level of fumes and maximum amount of ventilation.

Location: CK Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/25 sec at ƒ/16, ISO 100, tripod.

Post: LR4 & Adobe PS6

Cameron Karsten Photography

Product Photography: The Squirting Milk Bottle

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From my last studio shoot, left over was a classic-looking baby bottle.  So before I found another home for it, or fulfilled it’s recycled destiny, I wanted to shoot it as a product spewing milk.  Viola.

Location: SCCA Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/200 sec at ƒ/10, ISO 100, tripod.

Post: Capture One & Adobe PS6

Cameron Karsten Photography

Studio Photography: Out of Context – A Recycling Program

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America’s recycling program.  It’s fantastic in my city, sucks in others.  So I took the idea of recycling into the studio, and placed one shot in context (above) and took the other two slightly out of the box.

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Composting.  Try it, you’ll cut back on your weekly load of trash and also create a healthy garden

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CPS: Child Protective Services or the Department of Social Services.  Putting children through America’s foster care system since 1974.

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Photo Essay: Graniel’s Dreamland Product Photography, Wooden Bowl

After traveling to Ambergris Caye in Belize, photographing various artists utilizing the skill and exactitude of their hands, I purchased one of the wooden bowls from Graniel’s Dreamland as a gift, gifted, took it back and brought it into the studio… whew.  And now it’s done.

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Full bowl studio shot

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Close-up bowl studio shot combined into catalog spread with on-location workshop shot