Ethan Currier – Sculpting the Power of Stone

EthanCurrier-366To cut stone sounds like a recipe of alchemy. But it takes power, not always the power of enormous piston-driven spikes and powder-lit explosives. Often, with the right hand-tools and visionary skill, rocks can be as easily molded as clay. Meet Ethan Currier.

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EthanCurrier-244When on Bainbridge Island, Ethan lives in Eagle Harbor aboard his 1940s’ refurbished navy boat, building unique rock sculptures by day. Located in a small modest workshop, which once ran as a single-pump gas station, Ethan brings in specific stones to match his concept of upcoming projects, visualizing their forms and structure prior. By design and with the use of few hand-tools, these ordinary stones take on new organic shapes.

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EthanCurrier-235Having spent the summer on the east coast working on boats and building commissioned pieces for personal gardens and cityscapes, Ethan continues to create, building a reputation and potential-future following like those of artists Andy Goldsworthy and Dale Chihuly. A controvertial sculpture on a city-owned island Blakely Rock brought him in contact with people who both love and disapprove of his work. Over four nights in the middle of winter in 2012, Ethan installed a 12-foot tall stone man in the common yoga posture Tree Pose. Visible from the east shores of Bainbridge Island, as well as along the Seattle-Bainbridge ferry route, the sculpture has become in need of further special attention. Upon his recent return, people have continually asked him about it. He responds with a calming smile, “It needs repairs.” Locals now are expressing their interest in helping in anyway possible in its resurrection.

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The Honey Harvest is Near

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With the nearing end of the the summer, a north hemisphere-wide honey harvest is about to begin, and I’m feeling pretty damn excited.  Longtime friend and fellow traveler Dennie P (aka D) stopped by and had the opportunity to check in on my hives.  I’m hoping he’s hooked!  He looks like it.

Location: BI, WA

Camera/Lens Specifics: Canon 5D MarkIII w/Canon EF 16-35mm 2.8L II USM Lens

35mm, 1/200 sec at ƒ/7.1, ISO 100, tripod.

Post: LR4 & Adobe PSCC

An Artform for Ages: Forging w/Ryan Landworth

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I know Ryan from the local community on Bainbridge Island, and as we got to know each other, I asked to come and shoot him at work in his shop.  As I walked into his space, I realized what an extreme artform this age-old process is.  Lots of heat.  Huge machinery.  And tons of force.  Here is a test phase of more shooting to come with blacksmith artisan Ryan Landworth.

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Cameron Karsten Photography

Photo of the Day: Casey Zautke of Barn Owl Builds

Casey Zautke of Barn Owl Builds prepares a beam of fir for a conference table

Hot off PS6, I’m stoked with my most recent image.  Shot yesterday with Casey Zautke of Barn Owl Builds, he and his brother Josh own a customized furniture company. Each piece of reclaimed wood is hand-picked specific for each order.  Here, Casey runs a thick fir plank through a joiner in order to flatten its surfaces as they begin constructing a conference table.

Over the next couple of months I’m thrilled to be working with them, creating content for their brand and new website.

Location: Barn Owl Builds – Seattle, WA

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

16mm, 1/60 sec at ƒ/10, ISO 100, tripod, composite.

Post: LR4 & Adobe PS6

Cameron Karsten Photography

Photo of the Day: Tele Smash

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Now this was fun.  I brought two of my buddies over with the idea of creating an ad for a flatscreen TV.  Composited of multiple images, I slowly pieced through from right to left until the final shot with the action.  And we were nervous.  I heard of dangerous fumes inside old tube televisions, but this wasn’t that old.  So with a couple of deep breaths, some practice swings and snaps, and a wooden baseball bat, we counted down.  One.  Two.  Three.

It was the loudest sound.  Bat bouncing off the screen, cracking the wood but not the glass.  We were amazed.  Maybe he just swung wrong.  Second time.  One.  Two.  Three.

Again, this time the bat shattered and our ear drums rang.  Okay.  Something heavier.  With a neighbor’s sledge hammer we felt more confident, more practiced with the swing and the shutter release.  One.  Two.  Three.

Glass everywhere and the beautifully astounding sound of exploding glass.  And then the poof of powder, fumes.  We dropped our gear and ran out of the house.

All and all, once the dust had settled, the ventilation flowing, a mere two hours with a Shop-Vac and thick gloves cleaned the disastrous mess, revealing a 2-inch thick screen of glass now in a million pieces.  The bat never had a chance.  A few hours of PS6 later.  Success.

Cameron Karsten Photography

Photo Essay: Aaron’s VW and The Sequester

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Aaron Kuester is a busy man.  With a wife and 3 year old son, work as a steel-shaper of sorts at Kitsap’s Naval base, and an enthusiastic car builder and racer.  Currently, he’s working on building a custom Volkswagon Beetle Baja Desert Racer, not necessarily for the Baja 2000 Off-Road Race, but some day… some day.

But with The Sequester approaching on March 1st, 2013, government spending-cuts will affect Aaron and his family.  As an employee repairing the steel parts of submarines and naval ships, the full-force of the $85 billion-dollar cuts would mean his 5 day work-week will crunch to 4 days within the 22-day furlough.  Anything longer will be technically a lay-off, which Aaron, as well as every other government employee, hopes will remain a distant impossibility for him, his family, and his hobby.

On a quiet President’s Day afternoon, Aaron invited me into his garage, and below are some of the images I created with four strobes, some daylight fill and a little PS6.

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Cameron Karsten Photography

Product Photography: Rwanda Partners Bowl Series

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By approaching Rwanda Partners and offering them my help, I scored the opportunity to take a selection of their bowls into the studio and photograph them for their website.  With three lights, some plexi glass and fishing line, I was able to create a clean, depth-defining product shot to help them better portray their products.  Hopefully, more opportunities will arise with Rwanda Partners after the initial shoot.  Visit RwandaPartners.org for more.

Location: SCCA Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/160 sec at ƒ/16, ISO 100, tripod.

Post: Capture One & Adobe PS6

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Cameron Karsten Photography

Photography Essay: CannaTest, LLC. (Location – Bainbridge Island, WA)

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I had the opportunity to connect with CannaTest, LLC. to explore the new changes in Washington State regarding the passing of Initiative 502 and the legalization of recreational marijuana.  CannaTest’s tagline “What’s in your medicine?” legitimizes the professionalism of medical cannabis in the emerging industry, breaking down the percentages of Cannabinoids that are within each strain of plant.  From THC to THCV, CBD, CBG and other active ingredients, CannaTest provides qualitative numbers for accurate labeling to insure clients are receiving the necessary medicine for their specified therapy.

Visit www.Canna-Test.com for more information.

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Cameron Karsten Photography

Product Photography: Toxicity

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Found within a friend’s basement, these bottles were too characteristic and entirely toxic to pass up.  Setting up in an open-air carport settled the minimum level of fumes and maximum amount of ventilation.

Location: CK Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/25 sec at ƒ/16, ISO 100, tripod.

Post: LR4 & Adobe PS6

Cameron Karsten Photography

Product Photography: The Squirting Milk Bottle

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From my last studio shoot, left over was a classic-looking baby bottle.  So before I found another home for it, or fulfilled it’s recycled destiny, I wanted to shoot it as a product spewing milk.  Viola.

Location: SCCA Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/200 sec at ƒ/10, ISO 100, tripod.

Post: Capture One & Adobe PS6

Cameron Karsten Photography