Seattle Central Creative Academy: Photography Assignment (Clothing)

Apparel.  The working man/woman’s gloves – Carhartt.  Comes with a price, too.  At just under $30, I purchased these with the intent of photographing and returning them.  Taped to a hammer, stuffed with cotton balls and a sock, hung with 6lbs fishing line and stabilized with a chopstick.  It was hung in front of a black background with two white cards camera left and camera right.  There was a diffusion panel above and a gold reflector card beneath.  Two Q-flashes camera right and camera left in Strobo mode each flashing fifteen times while I dragged the shutter speed to 1 second.  After checking the exposure in LR3, I then shot the background, the top of a nail, with a 100mm Macro, and edited the final photograph in PS5.  Viola.  A fun shoot of construction and design, problem-solving and improvising.

Location: CK Studio, Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4L IS USM Zoom Lens

50mm, 1 sec at f/16, ISO 200, tripod mount, trigger fired.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Lo-Key)

Lo-key is the opposite of hi-key.  The absence of light and a play on dark tones defines the dramatic lo-key photograph.  Incorporate a good use of positive and negative values, and a narrative should unfold between your subject and the audience.  Here I photographed my subject in character as a Shaman.  He’s preparing for a ceremony with wild turkey heads using a large rusty cleaver in silhouette.  He painted himself a sooty black with a singular white stripe running from forehead down to chin.  There’s an aggressive, tense look as if he was suddenly interrupted within his sanctuary preparing for the ritual.

Location: SCCA Studios, Seattle, WA

Model: Matt Kuntz

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens

70mm, 1/10 sec at f/4.5, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Food Prep)

Food Prep.  An enjoyable shoot because after you’re finished you get to eat it.  I wanted to create a striking image focusing strictly on the food and a particular message.  And the message?  Polluting our planet, polluting our food.  We live off the resources this planet provides us, and by wrapping a plastic holder for a six-pack can of Dale’s Pale Ale around the salmon’s head while floating over a white ceramic plate, represents the sense of fragility yet power which our food is.  This image is a composite: one image exposed for the plate, the other for the salmon which was hung with 15lbs fishing line cleaned up in PS5.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens

70mm, 1/25 sec at f/4.5, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Photo Essay: Flora & Fauna of Indo

Seattle Central Creative Academy: Photography Assignment (Self-Portrait)

What is within you that few have the chance to witness?

Location: Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4 L IS USM

24mm, 1/4 sec at f/16, ISO 100, tripod mount, trigger fired with two Q-flashes camera left and camera right.

Post: Adobe LR3, PS5 & Nik Software

Photo of the Day: Mas Candy, Mas Color

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/150 sec at f/4.5, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Photo of the Day: Polished Candy

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/150 sec at f/4.5, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Free Choice)

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/150 sec at f/4.5, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Product Shapes)

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/8 sec at f/11, ISO 100, table mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Stop/Blur)

Stop/Blur is a challenge with hot lights, or continuous lighting.  Typically, when a flash is used for a photograph, two exposures are taken simultaneously: flash captures the subject and freezes it’s movement, where the shutter speed takes in the ambient light of the atmosphere.  But with hot flashes in a studio, you need enough lights to crank up the shutter speed for a moving subject.  For my shots, I kept the ISO at 100 to record maximum clarity and used five lights and a reflector to highlight the liquid.  My subject? The finest whiskey west of the Mississippi: Stranahan Colorado Whiskey.  Below is my pick, and the remaining at the end of the post are other experiments with the shot.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4 L IS USM

84mm, 1/400 sec at f/9.0, ISO 100, table mount.

Post: Adobe LR3 & PS5