The Last American Homesteaders: Pt I

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Life in the country is not an idealized peaceful existence unless you subscribe to the following as elements of such; 5AM start times to milk Daisy Bell the Cow, -5 degree temperatures while hopping on a quad with windchill factors in the -20s, your tears turning eyelashes into frozen shelves, your lips taut and crisp, ears and hands burning as if squeezed in a vice just before numbness sets in, and full days in the field, combing the backcountry for livestock and breaks in the fence line. Add to this clearing pathways of 50 foot toppled trees using a 32 inch chain saw or employing the exhaust of your Polaris’ engine to warm freezing hands after removing three inch thick ice sheets from the numerous watering troughs the cattle need to survive during these cold winter months.

To the ranchers and farmers who thrive out here around the John Day river near Spray OR on the east side of the Cascade mountains, these elements feed their deep spiritual and physical connection to the land. Our rewards for their sacrifice are fresh fruit, vegetables, grains and grass fed beef. Their rewards though are profound and pure. Fresh unpasteurized milk, with warm chicken and duck eggs, and turkeys for Thanksgiving. Here life is shared with elk herds that roam the pristine hills, with bears that hibernate in their caves while cougars and bobcats stalk deer and other game through the sparse pine forests of the hillsides and valleys. The setting sun with its darkening sky reveal, in this high desert, an Atlas of stars, shining with a native brilliance undimmed by the light pollution we’ve all grown accustomed to. A moody fog, lit by that brilliance, courses along the path of the frozen John Day below. As day turns to night, the night crawlers fall into their sleep as the daytrippers awaken.

All around the sounds of the natural world play unspoiled by human industry. The meter of this hard but simple life is not kept by a clock, rather, by the dawn’s early light, the shrunken shadows of high noon, and finally their elongated statures as the sun begins to set are, the timepieces of these hills. As the sky’s hues expand and intensify at sunset and the temperature begins to plummet, the body’s hunger will be satisfied in a kitchen where a pot of steaming milk with honey and spices warms and perfumes the air. Here is a glimpse of life in the high country of Spray, Oregon.

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Daisy Bell the Cow being milked in the barn just after 5AM

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At -5 degrees, this 2,000lb mare had no issue watching the morning sun rise

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Tom the Turkey was the stud

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Micheal F. starts the day with his wife at 5AM and as soon as there is light he is off into the backcountry. Micheal provides full-care to ranch owners; managing and operating a ranch, and learning new ways to evolve the farmer’s marketplace.

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Clearing watering troughs requires thick skin, but the breath and the Polaris offer enough relief. The daily high while in Spray was 10 degrees.

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The John Day River below

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Providing mineral and salt blocks in the backcountry

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Juniper trees are weeds in the high country. They are clear cut to make room for grasses in order to form pasture.

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Sunset in the backcountry pasture at an elevation of 4000 feet

Next Post (Pt. II) –>

logo_blackTrajan

Puget Sound Restoration Fund: The Oyster Harvest

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Oysters are delicious, but they’re also highly important to our marine ecosystem. They’re natural filtration systems, removing toxins and cycling nutrients back into the water that help combat pollution. Oysters within the Puget Sound are also some of the first species to feel the effects of a new threat called Ocean Acidification (OA). As the ocean becomes more acidic due to decreasing pH levels from human industrialization, oyster seed shells begin to dissolve causing holes, disease and early death.

Puget Sound Restoration Fund (PSRF) is helping restore these mollusks by planting native oyster beds throughout Puget Sound. They’re creating a community of oyster harvesters through their CSA program, as well as partnering with research institutes to further study and treat the effects of OA. On an early morning on Bainbridge Island, Washington local volunteers gather to take advantage of the low tide and collect the native oysters.

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For more visit the Ocean Acidification Project

Cameron Karsten Photography

Product Photography: The Squirting Milk Bottle

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From my last studio shoot, left over was a classic-looking baby bottle.  So before I found another home for it, or fulfilled it’s recycled destiny, I wanted to shoot it as a product spewing milk.  Viola.

Location: SCCA Studios

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/200 sec at ƒ/10, ISO 100, tripod.

Post: Capture One & Adobe PS6

Cameron Karsten Photography

Photo of the Day: Bee vs. Bee-Keeper

Location: Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens and Canon EF 100mm f/2.8L IS USM Macro Lens

Composites

Post: Adobe LR4 & PS6

After my adventures with bee-keeping, I spent an afternoon this fall harvesting 20lbs of fresh honey from my hives.  I could have collected more, but the honey they gather throughout the spring and summer becomes their food surplus for the cold fall and winter months ahead.  They were already pretty pissed, as one can tell.

Photo of the Day: The Bee-Keeper

Location: Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

21mm, 1/6 sec at ƒ/22, ISO 100, tripod.

Post: Adobe LR4 & PS6

Seattle Central Creative Academy: Photography Assignment (Fill Light)

Tobacco-smoked meat; it’s what’s for dinner.  This is my “still-life food” shot for an anti-smoking advertisement.  Originally I sought to make the meat look like a heart hooked and strung-up over a smoking ashtray, but the meat just looks like meat.  Next time, I’ll get a realistic-looking heart and blacken it a little more to show the ill-fated effects of smoking cigarettes.

Window light was the light source to camera left and an off-camera Canon 580EX II Speedlite bouncing off a silver reflector was the fill at camera right.

Location: CK Studio, Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/10 sec at ƒ/6.3, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (EDFAT – aka Stranger Danger)

Ian Cipra is a man with a passion for apples.  Working the tourist crowds of Pike Place Market in Seattle, WA, Ian sells not only apples, but grapefruits, plums, seasonal fruits and loads of vegetables.  One day it might be a free slice of pear to push their sales.  The next might be an orange.  But on this day, he was representing the crisp sweetness of the Jazz apple.  And thus the tourists flocked – passing, observing, tasting, purchasing – while the apple man put on a show of  wit and camaraderie.

The assignment was to photograph a stranger.  Approach someone.  Collect a volume of point of views:  EDFAT.  Broken down, it stands for 1) ENTIRE, for observing the entire subject; 2) DETAILS, dissecting the subject into specific details; 3) FRAME, framing those details into strong, original compositions; 4) ANGLE, to shoot a variety of angles; and 5) TIME, building visuals by using slices of time.  After 500 frames, an hour and a half of time, and switching between four different lenses for variety, Ian Cipra came out with energy and sold loads of jazz apples to smiling customers.

Location: Pike Place Market, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with various lenses

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Post: Adobe LR3 & PS5

Photo Essay: Odin Brewery (Seattle, Wa) Pt. II

As a brewer you’re also a janitor. Hygiene and cleanliness within the brewery is mandatory. One live bacteria cell in the wrong liquids with throw off a batch, creating skunky flavors that will make you never want a fresh pint again. So, after each boil, after each process from the mash tun to lauter tun, to kettle and whirlpool, to the last stages of the fermenter and into the keg, each component needs to be cleaned once, twice and three times more to assure the waters are neutral and all ingredients are fresh without stray additives. Drains throughout the brewery are necessary so hoses can be laid while insides and outsides of the equipment are washed clean. Common cleaning agents besides hot water are bleach, iodine and caustic acid.  According to Nick Heppenstall, head brewer at Odin Brewery in Seattle, Washington, “A brewer is just a beer-loving janitor.”

“Belgium was a poor country and they wanted to get drunk, so they used whatever was cheap to make alcohol. And it was whatever happened to be down the street. So, you know, who knows what kind of sugar it was. It probably was more beet-based because there’s not a lot of sugarcane in Europe.”

“I love the regional aspect of craft brewing. Anywhere you have people who love craft beer, you’ll have craft breweries. Take Texas for example.  Austin is full of people who love craft beer and it’s also full of craft breweries. Dallas on the other hand doesn’t have that passion for craft beer, hence no craft breweries.”

Photo Essay: Odin Brewery (Seattle, Wa) Pt. I

A brewer is a chef. It takes knowledge of your ingredients and skills with your equipment to create a fabulous feast. Same goes for beer brewing. You must know your tools, your ingredients, and the science behind their reactions and interactions. Nick Heppenstall, head brewer of Odin Brewery in Seattle, Washington has perfected this science into a tasty art-form of craftsman beers.

With a background in biochemistry, Nick heads up the recipes for all beers coming out of Odin Brewery. His mission is to brew a beer that pairs perfectly with the right kinds of food, and to do this, the beer must have the right density levels of water to sugars, a balanced pH level of acids, and a comfortable temperature with the right carbonation.

“Consistency is my first priority. I believe in keeping things simple. If I can do something simple and good, it’s easier for me to make it better.”

Water, grains and the essential hop flowers are key ingredients to crafting a fine brew; three ingredients combined into a myriad of concoctions to intensify certain aspects of flavor.  Next add nutmeg, orange peel, extra sugar, or a compound called amylase to discover sweet palettes, higher alcohol percentage or a drier taste.

“My experience in microbiology has been absolutely valuable to my understanding of brewing beer. Anyone who want’s to brew good beer should study microbiology.”

“Beer Fest is a great movie, but I prefer Strange Brew!”

Seattle Central Creative Academy: Photography Assignment (Clear Glass)

To light this image of Stranahan Colorado Whiskey I used a giant soft box and placed two Profoto lights inside facing each other to blow out the background.  With two large black cards left and right of the bottle, the edges became defined.  Then with one Speedlite below and slightly in front of the bottle, which rests on plexi glass, I fired it to highlight the label.  One final softbox was placed directly behind the camera and raised to hit the bottle at a 45 degree angle.

There were four exposures composited in PS5: bottle, label, cap and pour.  To wrap it all up in post, the image was masked with a white background.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/160 sec at ƒ/22, ISO 100, tripod mount.

Post: Adobe LR3 & PS5