Seattle Central’s Alumni Spotlight: Cam Karsten

Here’s a retrospective of my path to commercial photography via Seattle Central’s Creative Academy. Always a treat to have someone interested in your story, and the hope to inspire others to follow their dreams. Original post can be found here.

For budding photographers, Seattle Central Creative Academy alumni Cameron Karsten (‘12 [I think ’13…]) offers simple, yet pragmatic advice: “Shoot what you love.”

After developing a passion for photography while backpacking and blogging across the globe, Karsten was eager to turn his passion into a career. Now, as a highly sought-after commercial photographer with an expansive clientele, he has made a living from capturing those very things he loves: hiking, surfing, and fishing.

Raised in California and the Pacific Northwest, Karsten developed an early love for the outdoors. “I was an explorer,” he explained. “I was outside most of the time, whether it was riding bikes, fishing for salmon in the fall, or just experiencing nature.” Karsten also feels lucky that his single mom instilled in him a love of travel from a young age too and recalled driving to Mexico several times a year when the family was based in southern California. “And so that imbued a love of travel and of going somewhere new and not knowing the final destination,” he added.

When Karsten wasn’t exploring outside, he recreated scenes from the outdoors in the classroom. He never gravitated towards formal art classes, instead filling his notebooks for other subjects with realistic sketches. “I’d picture a place that I wanted to go, and I would draw it realistically,” he said. “And I think that also played into telling stories with pictures, instead of with words.”

Karsten attended college in Los Angeles, where he quickly realized city life wasn’t for him. “I didn’t like much of anything except the ocean down there,” he admitted. This dissatisfaction led him to take what he thought would be a one-year break from college — a gap year that ended up stretching into six years of travel around the world.

Karsten’s goal during this academic hiatus was to become a writer. “I was collecting stories and characters, learning through real-world experiences rather than studying books and taking tests,” he explained. At first, Karsten would hunker down at internet cafes to write stories to his friends and family. But when he discovered a travel blog community of fellow backpackers, he started sharing his travelling tales to a much more global audience under the blog name cam2yogi, a nod to his deep interest in Buddhist philosophy he developed travelling through Asia.

It was during this time that Karsten’s interest in photography began to take shape as well. With his film camera — and later, a tiny digital point-and-shoot gifted by his family — he began using photography to complement his written storytelling.

To his surprise, readers praised his photos as much as — and sometimes more than — his writing. “People would say, ‘your photos are fantastic.’ Because of that encouragement and feedback, I started falling in love with taking pictures and looked forward to capturing the best moment to include in whatever story I was trying to tell.” As his network and skills grew, Karsten sold some of his blog posts as articles to smaller travel magazines.

After six years of wandering the world with his pack, his stories, and his cameras, Karsten returned to the Pacific Northwest — and felt more restless than ever. His travels had provided him with a wealth of experiences, but he was still searching for a way to channel his creativity into a sustainable career.

It was a woman he met — now his wife — who helped him put down roots in Seattle. She worked as a photo stylist at the time and connected Karsten to several commercial photographer contacts.

“I realized that the whole traveling lifestyle was going to be on pause because I was in this serious relationship, and I started learning more about the commercial world and what was available to me as a career,” he said. “And every commercial photographer I worked with within the Seattle area was like, ‘Hey, if you want to do this seriously, go back to school.’”

Karsten took their advice and looked into Seattle Central College’s Creative Academy. “It was a no-brainer,” he said. “The program was highly recommended and close to home.” He enrolled in the two-year Commercial Photography program, which has since been folded into the current Visual Media program.

At Seattle Central, Karsten found the structure and mentorship he needed to hone his craft. “The first year was all about learning the fundamentals of commercial photography — like continuous versus strobe lighting,” he said. By the second year, the structure of the program shifted towards encouraging students to find their niche and lean into their creative strengths to set them up for real-world success. For Karsten, that meant focusing on storytelling through outdoor photography.

“Growing up in nature, I could not stand being in the studio working with inanimate objects,” he said. His instructors, like the retired Alejandro Tomas and the late Robert Milne, recognized his passion and gave him the freedom to pursue it. “They said, ‘If you want to be outside, go be outside.’ That support made all the difference.”

“[This photo] resembles my path to steer away from the studio and practice my light skills to shoot outside,” Karsten said referencing the following photo from his days as a student at the Creative Academy.

Karsten remembers feeling like he was in a vastly different stage of life than his classmates who were fresh out of high school. He and his wife were starting a family by his second year of the program, and knew he had to take school seriously. “It was my career,” he said.

He credits his professors, Tomas and Milne, with imparting the technical skills necessary to make his career but also offering mentorship that bridged the gap between the classroom and the professional world.

“I loved the one-on-one conversations with them,” he recalled. “They weren’t just teachers — they were adults, and I could relate to them. Those conversations were less about school and more about photography as a career. That’s what really stands out to me.”

After graduating from Central in 2012 (2013…), Karsten made it his goal to build up a professional portfolio of work while simultaneously enjoying his favorite outdoor activities in the Pacific Northwest. He took his camera with him whenever he and his friends would camp, hike, or hit up the beach.

Karsten tried photographing surfing at first, but found it was too hard to stay off the waves. He realized that shooting his friends fly fishing was different, and it soon became a subject that dominated his portfolio. This work also caught the eye of his first major client, Grundéns, a commercial fishing gear company.

“I brought a really nice, printed portfolio and as [the marketing professional] was going through my work, he was like, ‘Hey, this is great. You want to go to Norway?’ and I was like, ‘what!?’” he explained. “So, the next thing I knew, I was on a plane to Norway to photograph cod fishing for this company. And from there we went to Guatemala, the Florida Keys, and Alaska.”

By continuing to capture subjects he was passionate about, Karsten’s portfolio expanded to include work with other high profile outdoor recreation and technology brands, like Patagonia and Garmin Marine.

In recent years, Karsten has returned to Seattle Central, not as a student but as a professional, supporting the college in a variety of photography and videography projects.

“I’m always like, ‘Yep, let me block my calendar because of course I’m there for you,” he shared. “It’s part of just paying it forward and trying to give them my all, since they gave me their all and got me to where I am today,” he said.

While Karsten continues to shoot a variety of subjects for his clients, he finds the most enjoyment — and conveniently, work — shooting those very things he loves, like nature and outdoor recreation, echoing the subject matter he captured on the point-and-shoot he carried with him throughout his backpacking adventures. “When it’s a personal project, your passion shows through, and that’s what attracts clients,” he said.

He travels less now, prioritizing quality time with his wife and two daughters, eight and 10, but still cherishes every moment he gets to spend outside with a camera in hand.

As Karsten prepares for his next project (Nov. ’24) — photographing warm-water fishing in Baja California for Grundéns — he reflects on the impact Seattle Central has had on his less-than-traditional path. “Seattle Central gave me the tools, the trust, and the freedom to build a career I love.”

For more visit www.CameronKarsten.com | www.the-subconscious.com

Seattle Central Creative Academy: Photography Assignment (Wedding Poses)

Location: Cal Anderson Park, Seattle, WA

Model: Various

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 50mm f/1.8 USM Lens

variety of settings, ISO 100, handheld.

Post: Adobe LR4 & PS5

For more weddings and portraits by Cameron Karsten Photography please visit: CK Weddings

Seattle Central Creative Academy: Photography Assignment (Dusk Strobes)

Matt Kuntz at home on Bainbridge Island, WA, working on his Mustang during sunset.

Location: Bainbridge Island, WA

Model: Matt Kuntz

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 24-105mm f/4 L IS USM Zoom Lens

composite w/variety of settings, ISO 100, tripod.

Post: Adobe LR4 & PS5

Seattle Central Creative Academy: Photography Assignment (Glamour Narrative)

Three shots in three separate scenes, telling the same story within a narrative series.  It tells the tale of a model of three eras of fashion: the 60s, 80s and modern.  As a model, she’s on the journey of her career.  Although she has it all – the beauty, the clothes, the style and money – she finds herself at a crossroads seeking more, but is subsequently slipping into a lifestyle she’s becoming all-too familiar with.

Location: Bainbridge Island, WA

Model: Morgan Terry

Stylist: LK

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4L IS USM Telephoto Lens

variety of settings, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Fill Light)

Tobacco-smoked meat; it’s what’s for dinner.  This is my “still-life food” shot for an anti-smoking advertisement.  Originally I sought to make the meat look like a heart hooked and strung-up over a smoking ashtray, but the meat just looks like meat.  Next time, I’ll get a realistic-looking heart and blacken it a little more to show the ill-fated effects of smoking cigarettes.

Window light was the light source to camera left and an off-camera Canon 580EX II Speedlite bouncing off a silver reflector was the fill at camera right.

Location: CK Studio, Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/10 sec at ƒ/6.3, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Stop Motion)

There were numerous things that went wrong with this shoot, which I did not become aware of until after during the hours upon hours of editing.  To say it before I present to you these pieces: I don’t like them.  In fact, I loathe them.  Then why this post, you might ask?

First off, it is a visual record.  Having rediscovered my love of fire, unleashing the pyromaniac youth within, stored memories from the times after school alighting pine needles with a magnifying glass to more explosive encounters involving cans of highly flammable RAID and a stack of wood set next to my mother’s house, I love fire.  So, why not shoot it?

Secondly, I want these images to rest upon this web layout as a stage of photographic development.  With this rekindled love of flame, I now have the desire to master the quickest, most intense flash of heat through the lens, and elegantly incorporate it’s fluid speed into my work creating a uniqueness and individuality.

Thirdly, using fire during work makes work so much more exciting.

So I present the first two shots involving TRESemme and fire.  Again, these images are not worthy of due credit or professionalism, therefore I would never finalize them for a client and expect a pat on the back with a fat check.  They’re merely a recording of the road to fire I am just now beginning.

The first one was shot with the bottles on a white background.  These have too many reflections in the cans to represent the product accurately.  Then when shooting the flames I discovered the speed at which they release.  I sprayed the hairspray over a lighter, which singed all knuckle-hairs instantaneously, and witnessed these flames all but vanished on the sensor before the white background.  So I switched it out for black and added a mass of strobes and hot lights.  When I went to composite the images in PS5, I realized the task at hand to mask the black background flames with the white background cans was near impossible for a realistic, sellable product.  Plus, for stop motion, the flames are not frozen, even at 1/1000th of a second!

This next image is an improvement considering the background, but the rest is just an attempt to experiment and learn after staring at a computer screen for 5 hours.  I’m displeased with how both of these turned out, but the learning curve was steep and that’s all that matters right now.

Location: SCCA, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

variety of settings, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (High Key Product)

High Key photography is a classic product set-up: bright subject, with few shadows and nice highlights.  To go with au naturel consumerism, Tom’s of Maine toothpaste came into play.

The idea was to showcase the “Crystal Clean” result after using Tom’s.  Somewhat pleased, I don’t feel totally successful with the project.  The crystal in my model’s hand appears too large and the actual toothbrush on the right feels unnatural due to the lack of the bottom of the brush.  In the end, the photographer decides about his/her image, while the audience decides on their individual experience.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

variety of settings, ISO 100.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (EDFAT – aka Stranger Danger)

Ian Cipra is a man with a passion for apples.  Working the tourist crowds of Pike Place Market in Seattle, WA, Ian sells not only apples, but grapefruits, plums, seasonal fruits and loads of vegetables.  One day it might be a free slice of pear to push their sales.  The next might be an orange.  But on this day, he was representing the crisp sweetness of the Jazz apple.  And thus the tourists flocked – passing, observing, tasting, purchasing – while the apple man put on a show of  wit and camaraderie.

The assignment was to photograph a stranger.  Approach someone.  Collect a volume of point of views:  EDFAT.  Broken down, it stands for 1) ENTIRE, for observing the entire subject; 2) DETAILS, dissecting the subject into specific details; 3) FRAME, framing those details into strong, original compositions; 4) ANGLE, to shoot a variety of angles; and 5) TIME, building visuals by using slices of time.  After 500 frames, an hour and a half of time, and switching between four different lenses for variety, Ian Cipra came out with energy and sold loads of jazz apples to smiling customers.

Location: Pike Place Market, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with various lenses

variety of settings

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Dark Glass)

While on break, I had three weeks to come up with a composition for dark glass.  When I was young, my grandfather gave me this old Kahlua bottle, and for years I burnt a candle in the crown.  So, with the ambience of candlelight, I created an evening scenario with the added smooth tasting digestif White Russian.

I shot the bottle, and from there worked around the composition.  And since it was an old bottle, the label was long removed.  Therefore, I took today’s bottle, captured the label, and masked it within PS5, shot the tumbler with the White Russian, added reflections and a tabletop, brushed in the smoke and took my archived image of a wood stove fireplace to fill the background.  The text was selected from the label and fit within the frame.  Complicated but well-worth the time, as well as multiple White Russians consumed throughout the process.

Location: CK Studios, Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

variety of settings, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (George Hurrell Heavy-Set)

A George Hurrell-inspired photography assignment creating a classy black and white 1920’s film noir/glamour shot.  Involved set construction, props, wardrobe and some serious lighting skills.  Here is my mortician with a new patient waiting behind the walls.

Location: SCCA Studios, Seattle, WA

Model: William O’Donnell

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens

70mm, 1/100 sec at ƒ/7.1, ISO 100, tripod mount.

Post: Adobe LR3 & PS5