Seattle Central Creative Academy: Photography Assignment (EDFAT – aka Stranger Danger)

Ian Cipra is a man with a passion for apples.  Working the tourist crowds of Pike Place Market in Seattle, WA, Ian sells not only apples, but grapefruits, plums, seasonal fruits and loads of vegetables.  One day it might be a free slice of pear to push their sales.  The next might be an orange.  But on this day, he was representing the crisp sweetness of the Jazz apple.  And thus the tourists flocked – passing, observing, tasting, purchasing – while the apple man put on a show of  wit and camaraderie.

The assignment was to photograph a stranger.  Approach someone.  Collect a volume of point of views:  EDFAT.  Broken down, it stands for 1) ENTIRE, for observing the entire subject; 2) DETAILS, dissecting the subject into specific details; 3) FRAME, framing those details into strong, original compositions; 4) ANGLE, to shoot a variety of angles; and 5) TIME, building visuals by using slices of time.  After 500 frames, an hour and a half of time, and switching between four different lenses for variety, Ian Cipra came out with energy and sold loads of jazz apples to smiling customers.

Location: Pike Place Market, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with various lenses

variety of settings

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Dark Glass)

While on break, I had three weeks to come up with a composition for dark glass.  When I was young, my grandfather gave me this old Kahlua bottle, and for years I burnt a candle in the crown.  So, with the ambience of candlelight, I created an evening scenario with the added smooth tasting digestif White Russian.

I shot the bottle, and from there worked around the composition.  And since it was an old bottle, the label was long removed.  Therefore, I took today’s bottle, captured the label, and masked it within PS5, shot the tumbler with the White Russian, added reflections and a tabletop, brushed in the smoke and took my archived image of a wood stove fireplace to fill the background.  The text was selected from the label and fit within the frame.  Complicated but well-worth the time, as well as multiple White Russians consumed throughout the process.

Location: CK Studios, Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

variety of settings, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Photo Essay: Odin Brewery (Seattle, Wa) Pt. II

As a brewer you’re also a janitor. Hygiene and cleanliness within the brewery is mandatory. One live bacteria cell in the wrong liquids with throw off a batch, creating skunky flavors that will make you never want a fresh pint again. So, after each boil, after each process from the mash tun to lauter tun, to kettle and whirlpool, to the last stages of the fermenter and into the keg, each component needs to be cleaned once, twice and three times more to assure the waters are neutral and all ingredients are fresh without stray additives. Drains throughout the brewery are necessary so hoses can be laid while insides and outsides of the equipment are washed clean. Common cleaning agents besides hot water are bleach, iodine and caustic acid.  According to Nick Heppenstall, head brewer at Odin Brewery in Seattle, Washington, “A brewer is just a beer-loving janitor.”

“Belgium was a poor country and they wanted to get drunk, so they used whatever was cheap to make alcohol. And it was whatever happened to be down the street. So, you know, who knows what kind of sugar it was. It probably was more beet-based because there’s not a lot of sugarcane in Europe.”

“I love the regional aspect of craft brewing. Anywhere you have people who love craft beer, you’ll have craft breweries. Take Texas for example.  Austin is full of people who love craft beer and it’s also full of craft breweries. Dallas on the other hand doesn’t have that passion for craft beer, hence no craft breweries.”

Photo Essay: Odin Brewery (Seattle, Wa) Pt. I

A brewer is a chef. It takes knowledge of your ingredients and skills with your equipment to create a fabulous feast. Same goes for beer brewing. You must know your tools, your ingredients, and the science behind their reactions and interactions. Nick Heppenstall, head brewer of Odin Brewery in Seattle, Washington has perfected this science into a tasty art-form of craftsman beers.

With a background in biochemistry, Nick heads up the recipes for all beers coming out of Odin Brewery. His mission is to brew a beer that pairs perfectly with the right kinds of food, and to do this, the beer must have the right density levels of water to sugars, a balanced pH level of acids, and a comfortable temperature with the right carbonation.

“Consistency is my first priority. I believe in keeping things simple. If I can do something simple and good, it’s easier for me to make it better.”

Water, grains and the essential hop flowers are key ingredients to crafting a fine brew; three ingredients combined into a myriad of concoctions to intensify certain aspects of flavor.  Next add nutmeg, orange peel, extra sugar, or a compound called amylase to discover sweet palettes, higher alcohol percentage or a drier taste.

“My experience in microbiology has been absolutely valuable to my understanding of brewing beer. Anyone who want’s to brew good beer should study microbiology.”

“Beer Fest is a great movie, but I prefer Strange Brew!”

Seattle Central Creative Academy: Photography Assignment (George Hurrell Heavy-Set)

A George Hurrell-inspired photography assignment creating a classy black and white 1920’s film noir/glamour shot.  Involved set construction, props, wardrobe and some serious lighting skills.  Here is my mortician with a new patient waiting behind the walls.

Location: SCCA Studios, Seattle, WA

Model: William O’Donnell

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens

70mm, 1/100 sec at ƒ/7.1, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Clear Glass)

To light this image of Stranahan Colorado Whiskey I used a giant soft box and placed two Profoto lights inside facing each other to blow out the background.  With two large black cards left and right of the bottle, the edges became defined.  Then with one Speedlite below and slightly in front of the bottle, which rests on plexi glass, I fired it to highlight the label.  One final softbox was placed directly behind the camera and raised to hit the bottle at a 45 degree angle.

There were four exposures composited in PS5: bottle, label, cap and pour.  To wrap it all up in post, the image was masked with a white background.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/160 sec at ƒ/22, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Photo of the Day: Georgetown Brahs

Favorite edited version of a one-shot on-location assignment in Georgetown (Seattle, Washington).

Location: Georgetown, Seattle, WA

Models: William O’Donnell and Paris Gore

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4.0L IS USM Zoom Lens

24mm, 1/250 sec at ƒ/7.1, ISO 500, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (One Shot On-Location)

I had to previsualize, find a location, bring models/props, light and execute for this pass/fail one shot on-location assignment.  A homeless individual, living in squalor with his meager slice of privacy.  A dirt bike rider, out for a thrill, looking to shred.  The two collide in this scene.

Lit with four lights, I had one Q-flash camera left on the bum’s shelter, two Q-flashes camera right to spotlight and fill the biker, and one Speedlite with a blue gel behind the homeless person.

Location: Georgetown, Seattle, WA

Models: William O’Donnell and Paris Gore

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4.0L IS USM Zoom Lens

24mm, 1/250 sec at ƒ/7.1, ISO 500, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Floral)

To depict the differences of diffused light and hard light on flowers, I created the following composition of an unknown flower species.  Upon completion, the differences observed are slim.  Diffused light – left.  Hard light – right.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/200 sec at ƒ/5.6 & ƒ/11, ISO 200, tripod mount.

Post: Adobe LR3 & PS5

Photo of the Day: Beer’s Essential Ingredients

Water, cracked grain and hops flowers from the hop vine.  Three essential ingredients make the base of any beer.  Add yeast and time, and your alcoholic beverage is ready.

For this shot I used the exact same lighting set up as the previous entry, but took two exposures for the final.  One for critical focus on the dried hops and cracked grain, and another for the water pitcher.  In PS5 I combine the two images with layers and masks for the final cut.

Location: Cameron Karsten Studios, Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8L IS USM Macro Lens

100mm, 1/5 sec at f/10, ISO 100, tripod mount.

Post: Adobe LR3 & PS5