Tracy Lang and the Grapefruit Tattoos

The other day I had the chance to photograph Tracy Lang, an accomplished woodblock print artist.  But she wasn’t doing woodblock.   Tracy was doing grapefruits, practicing her new tattooing skills on the skins of this fruit with the inspiration of the late writer and watercolor artist Henry Darger, painter Maxfield Parrish, and tattoo artist Musa

Location: Bainbridge Island, WA

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

16mm, 1/5 sec at ƒ/18, ISO 100, tripod.

Post: Adobe LR4 & PS6

Photo of the Day: The Trailer Room

Location: Undisclosed

Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens

16mm, 1/25 sec at ƒ/10, ISO 320, tripod.

Post: Adobe LR4 & PS6

Working on a video project with a surfboard shaper, I decided to grab a quick shot of the man in action.  And the board he is shaping will be shortly in the water under my feet.

Photography Assignment: Lindsay Bergan for 1859 – Oregon’s Magazine

Lindsay Bergan’s environmental portrait with her Mach II moth sailboat for 1859 – Oregon’s Magazine. Publication for July 2012.

Photo of the Day: Georgetown Brahs

Favorite edited version of a one-shot on-location assignment in Georgetown (Seattle, Washington).

Location: Georgetown, Seattle, WA

Models: William O’Donnell and Paris Gore

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4.0L IS USM Zoom Lens

24mm, 1/250 sec at ƒ/7.1, ISO 500, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (One Shot On-Location)

I had to previsualize, find a location, bring models/props, light and execute for this pass/fail one shot on-location assignment.  A homeless individual, living in squalor with his meager slice of privacy.  A dirt bike rider, out for a thrill, looking to shred.  The two collide in this scene.

Lit with four lights, I had one Q-flash camera left on the bum’s shelter, two Q-flashes camera right to spotlight and fill the biker, and one Speedlite with a blue gel behind the homeless person.

Location: Georgetown, Seattle, WA

Models: William O’Donnell and Paris Gore

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4.0L IS USM Zoom Lens

24mm, 1/250 sec at ƒ/7.1, ISO 500, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Environmental Portrait)

To create a narrative environmental portrait, I had three fellow photographers with one Elinchrom and two Triton strobes, as well as a lonely Speedlite.  The Tritons were placed behind the subject through the doorway, with the Elinchrom resting beneath the camera pointed at the foreground and up the stairs.  The Speedlite, attached to a PocketWizard, was placed directly at the feet of my subject (aka Tre).  And once the exposure and lighting was perfected, I placed a handful of potato starch in Tre’s right hand.  One.  Two.  He lobbed the starch over his head.  Three.  I released the shutter, capturing the four flashes while dragging the shutter to 2.5 seconds in order to absorb the ambient light and the fall of the potato starch.  The effect?  A man and his dog, come upon the viewer and suddenly something mystical transpires.  The man is not who we think he is.  Neither is his dog.

Location: U District, Seattle, WA

Model: Tre Williams

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4.0L IS USM Zoom Lens

24mm, 2.5 sec at f/11, ISO 400, tripod mount.

Post: Adobe LR3 & PS5