Waking in Addis Ababa

Addis Ababa sneaks up on you under the cover of darkness and smashes into your senses at the first light of day.  Molasses mixed with gasoline and diesel spews from exhaust pipes, filling the grills of the public lines packed with humanity.  Everything under the African sun thuds into 250 square kilometers of valley and pumps out a life bursting with tenacity.  Dirty, dusty and polluted—Africa’s 4th largest city is… surprisingly easy.  Catch a minibus from the roadside to a nearest transport hub and in an hour the whole sprawl is at your fingertips for less than a dollar (at the time of writing, 12 birr equals one US$1).  Hiking trails along the outskirts dot mountaintops.  Splashes of exotic cuisine from local injera to pans of pizza pie ring the clock.  Shopping malls for the elite and markets for the audacious (the Merkato being Africa’s largest) is vibrant with traditional to global commerce.  And nightlife thumps with labels of alcohol from around the world.

So how do you begin to navigate a rumpled city of 3 million people?

The answer: Step out onto the street, buy a bag of avocados from a vender, sit down on a stool to spoon a mixed juice (called spress) down your gullet and take a stroll.  Wander.  Breathe.  Smile at the smooth faces of Ethiopia.  And ask lots of questions.  You’re sure to find an answer.

Lily and I were riding a minibus to the Merkato.  Caught up by the innocent face of a child hung over the seat before us, I started photographing.  Everywhere in the city, strangers touch the heads of young kids as a sign of admiration.  In general, adults are physical.  They grab fingers when talking.  Arms wrap around shoulders.  Men walk together hand in hand as friends.  People care for people.  Children care for children.  Society is one grandiose family, including the homeless who gain their wages begging in the streets for their days’ meals—and they make it.

As we poked at the giggling youth, other passengers paid attention and brought the child’s cheeks from brown to maroon red.  Shortly, we reached the market; disembarked and walked into what the majority of locals (called habisha) and all foreigners (known as ferenge) consider the most dangerous neighborhood in all Addis Ababa.

A man on the bus who paid his dues to the enchanting youth turned to us.  “What are you doing here?”

Lily and I looked at one another.  “We’re here for the Merkato.”

The man gazed thoughtfully and nodded.  “Yes.  Really?”

“Really.”

On the ride we had learned of the man’s character.  He graduated from Addis Ababa University in journalism and was an avid runner.  “Do you know Kenenisa Bekele?”

No.

“But the Jamaican sprinter you know?  Really?”

We nodded.  “Yes.  Usain Bolt, the current record holder.”

“But not Kenenisa?”

We shrugged.

EshiEshi.  Okay, I will take you through the Merkato.  My name is Endalk.”

This is the essence of Ethiopian kindness.  For three hours Endalk the Journaling Sprinter led us through a maze of alleys, shops and culture.  However, being a Sunday in a country of Orthodox Christians and devote Muslims, the market was low-key; not the expected miasmic chaos of an African bazaar deemed the largest of such a continent.  We felt safe.  We felt calm.  Yet faces turned towards ours while eyes beamed into our souls.  Undoubtedly, Lily and I were the only western individuals pasted white in a sea of slick black, and we were the only ones carrying backpacks seeping of a camera, two US passports and wads of cash.

Endalk was searching for a job.  “There is no work in this country.  I have a major in my studies, but still I find little.  Look at all these people with nothing!”

Bodies were everywhere—clean, dirty, ragged and crisp.  Humanity was thriving in all the ways possible.

“Then what do you want to do?” I asked.  “If there’s anything, any kind of work available, what’s your dream job?”

“I want to write for a newspaper, editorial and political topics; but you know, there is no way around the government.  They own.  They control.”

In the hours of strolling, our conversation ranged from the political to the orthodox to the relaxation of companions from varying cultures familiarizing one another.  Before long, we’re facing a group of Endalk’s friends in a small chat hut.

“Come in and sit.”

The room was square, roughly 4 feet by 5 feet, crammed with six bodies.

Chewing chat with a cluster of warm-hearted strangers in Ethiopia is akin to nirvana.  Lily and I were out of the sun in cool shade, hydrating our bodies while resting our feet with a cheek full of chat among new friends.

The four men didn’t speak a lick of English, so Endalk translated.  “They know you have a strong head on your shoulders and big hearts.  They want to invite you to a coffee ceremony at their house.  Will you come?”

Swallowing, we nodded.  “Of course,” we answered.

Smiles, laughter, Obama claps, and chat.  We took our leave under the wing of Endalk and continued exploring.

One deranged thing about Addis is a crosswalk.  In the West, crosswalks symbolize the movement of feet and the respect of self-transportation.  Engines halt.  Machines rest.  Bipedals progress.  Yet in Addis, like most otherworldly metropolises, the foot passenger is at the bottom of the food chain while spewing beasts of metal, steel and oil surge to the top lost behind the obscurity of their blindfolds.  Cross streets with care.  Look both ways, then look again in both directions before stepping into the streets.  Remember: Don’t hold your breath, and at the slightest breach of traffic (and with keen judgment in self-care) shuffle swiftly.  Cars won’t stop and buses won’t forgo their passenger’s eye; in fact, drivers will accelerate at the sight of your vulnerability.  It’s all or nothing when crossing a busy street, especially in darkness when impaired judgment is tenfold like a deer in headlights.

So be a wise mammal, one with a head on its shoulders and a big warm-blooded heart.  Breathe in the African air, even when passing those green rivers that emit the scent of raw feces stirring in an eternal batch of brown foam.  And don’t mind the random dismembered goat heads lying in the ditches and the rocky dirt roads torn asunder by torrential rains.  Remember to smile, be brave, and realize we’re all one people.  When in Ethiopia, give praise to the culture’s independence, which arises from a history that bubbles with creation and sustenance.  Sweetness is aplenty in Addis Ababa, a city whose English translation means “New Flower”.  She is a beautiful one indeed.

Seulam: An Ethiopian Welcome

Italy missed it.  The Emperor Haile Selassie created a new legacy.  Agriculture flourished with creative inventions of coffee and teff.  And people evolved with smiles on faces of unparalleled beauty.  Nestled within the Horn of Africa, this land is boisterous and unique; food specialized and faith ingrained deep with the freedom to believe.  Home sweet home, Ethiopia.

Twenty-four hours of transit to a different time zone upon a different continent in a world that revolves in different Time, all set in a calendar 7 ½ years behind the West.  Add one extra month (which proceeds the month of August) in a yearly cycle of twelve and you find yourself in Ethiopia. 

Abraham the driver pulled Lily and me out of immigration, led us to his van and trundled into the city.  It was after midnight on our clock, but Addis Ababa read 6:30pm, and on January 7th, 2010, the eve of Ethiopian Christmas Day, the streets were dark.  Black apparitions passed among the concrete shadows where little burning fires kept the shelterless warm.  Packs of dogs wandered across our van’s headlights, their eyes gleaming with a reflection akin to the haunted, and with a glint of color block office buildings draped with strands of Christmas lighting.  An odd mix.  A complete disillusionment to Western reality.  Breathe in Africa: that moist, dense air set within the exotic power of mankind’s nonsensicality.  Suddenly, I relaxed into the adventure. 

Fast-forward thirty-six hours and our circadian clocks matched.  We’re inside a stranger’s house with a friend from home who calls himself Henry Guterson.  It was a day of exploration like any day in a foreign city: sumptuous foods, crazed markets, the meters of walking and the barriers of language.  Soon we were climbing Entoto Mountain when a spontaneous invitation brought us to a coffee ceremony.  Inside the local’s mud hut, the three of us sat on a sunken couch as the family emerged in abundance: Father (abbat) and Mother (ennat) with seven sons (weund lej) and six daughters (sat lej).  Their friends crowded in too, staring and smiling.  We asked questions.  They asked questions.  We all used our hands and body language.  They understood and we set the groove:  Americans and Ethiopians before a dish of roasting beans called buna (or coffee).  Over red embers, the green beans browned in a splash of water, releasing a wispy tail of steam and smoke that filled our nostrils with a rich earthy aroma. 

“Where you from?” the daughter Yibekal Zewdu asked as she roasted the beans.

“America.  We’re all from the USA.”

Faces erupted.  “USA is good country.  Americans!”

We could see their happiness, their smiles stretching from one ear to the next: A rural family hosting a traditional coffee ceremony for three Americans, passing dabbo (bread), introducing us to their culture with apple-flavored hookah and chat (a mildly intoxicating leaf chewed and packed in the cheek).  A scratchy Japanese show played on their television screen as a dusty stream of sunlight poured through the rafters.  Nestled in a dark corner was a Christmas tree, constructed from a bouquet of fresh branches and garlanded with the ominous plastic colors of the holiday season. 

We sipped our teacups of sweetened coffee.  Shortly afterwards the Father spoke.

His language was in Amharic, Ethiopian’s official dialect among some 80 other indigenous tongues, but we quickly understood with the influence of hand gestures and facial features:  The sun is sinking.  It’s getting late.  If you keep climbing, you better hurry, because after dark there is danger for you.  He ran his finger across his throat, contorting his face with an open jaw.  You must leave.

 Later we got the picture.  There are jup or hyenas roving in packs in the mountains, and they’re always hungry.  So, with a donation for the family’s generosity, Lily, Henry and I took our departure amidst adult handshakes and children kisses.  We stepped outside and were bathed in the exquisite African sun, continuing our trek upon an Ethiopian landscape.  We each breathed deeper with the sense of cultural freedom.  Seulam and chow, my Ethiopian brothers and sisters.  Welcome and goodbye until next time.

The Hamar Tribe of Southwestern Ethiopia

The Hamar tribe of southwestern Ethiopia are a select group of 7,000 – partial nomads, partial settlers – whom have found their community in an evolving catastrophe.  For centuries they’ve lived the way the ancestors have survived, following agrarian and goat herding traditions.  Today, in the midst of a changing climate with desertification and the encroachment of modern technologies, the Hamar peoples are questioning their survival techniques as starvation, lack of clean water and disease threaten their existence.

I, along with Lily Brewis, will spend a length of time with the Hamar tribe this upcoming February 2010, documenting the changes and adaptation of the peoples via photography, article writing and HD film footage.  We will accompanying the Bainbridge Island-based nonprofit Global Team for Local Initiatives (GTLI) who have stepped in to help teach the Hamar to the changing climate, creating water-well projects and sanitation techniques.  Below is an introduction to the Hamar tribe and the work the people along with GTLI have in store.

Tips for Photographing Urban Landscapes & Architecture

Exploring an urban setting is enticing.  So much is occurring as movement, color, smell, taste in the air and flavor on the table.  There are millions of sites to indulge the eyes upon, whether you’re creeping down an alley to a reserved local restaurant or venturing across a sweeping bridge to view the waterways of floating traffic, its languid chorus and panoramic views.  Without doubt, taking in a new village, town, city or metropolis with camera in hand is one of the most creative experiences upon the traveler’s road.  But within these possibilities, you don’t want to get overwhelmed.  You want to enjoy it, capture the city-life, feel it’s hustling pulse and bustling vibration, and present its’ personalities to your audience.

On my first trip to India, it took me 45 minutes to ground myself on the hostel rooftop before I felt comfortable entering the New Delhi chaos.  This is the most important rule in any new city.  Get grounded.  Find your bearings.  Take a few long deep breaths before leaping into the crowds of a foreign culture, especially in a massive population.  Activate and calm your senses.  You’ll need them not only for photography, but for your basic survival.  Realize the earth is beneath you, and then jump into the fray.

When photographing a city for the first time, everything looks new and enthralling.  Get warmed up and start snapping.  Approach the city streets with intrigue and view each subject as a creation of civilization.  Men and women built it with their hands.  This rudimentary understanding will give a whole new perspective to architecture.  It has personality.  It has angles, unique to its design.  It has caricatures within its face.  Find them by stopping and observing.  Take your time before walking around, circumnavigating the towering building while exploring with the eyes and lens.  Squat down, crane your neck and view it from various angles.  Then stand tall.  Find the highest vantage point.  Every change in your personal viewpoint will present a new element within the building or cityscape.  It is a structure of artistic design.  See it with as many eyes (or perspectives) as possible and don’t forget to explore all of its features, from the historical districts and monuments, to those mundane alleys with debris, dumpsters and unexpected surprises.

From the gallant, most gawdy form of spires and gargoyles to the elementary adobe huts of a nomadic tribe, architecture is an expression of a civilization’s art history, whether practical or conjectural.  However, the thrill will eventually wear off.  Here is where your skills are put to the test.  Go to the same building or viewpoint, but witness your subject during a different time of day when the light will effect mood, reflection and personality.  Lit up at night in the quiet of darkness or active under the bright sun of rush hour, your subject will always give you something new, rain or shine.  A good practice is getting out and walking your own hometown.  Do this as much as possible and rewire your vision to see the new in what has been called “the old”.  Step back and see your main street from afar and then creep in to find the most intimate details of cracks in the paint.

The key to capturing the essence of any city is within your mind.  See the beauty surrounding you.  Everyday is a new chance to wake up and live as if it were your first and your last.  Carry your camera as you explore.  Squat.  Stand tall.  Lay down on the ground.  And climb high for more vantage points.  Be that insect and be that bird.  And most importantly, have fun, enjoy, keep your feet moving and be safe.  Cities have hidden jewels to inspire as well as the darker characters to cause fear.  As a photographer, writer or traveler, you need to have your head on your shoulders and both feet on the ground.

Cameron Karsten Photography offers professional imagery. With a unique eye for composition and lighting, Cameron draws excellence into any industry, specialized to help make your business, family and event shine in the light of infinite creativity. Whether requiring the finesse of a skilled photographer, updating old image archives for your website or looking to spark your new product with eye-catching advertisement, utilize Cameron Karsten Photography to professionalize your life, business, product or marketing material.  For more imagery, please visit the following link: http://www.photoshelter.com/c/cameronkarsten

Cam2yogi Productions Presents…

The latest and greatest development by Cameron Karsten.  A new website was launched for Cam2yogi Productions, representing multimedia captured from around the world complete with high-definition film footage and Cameron Karsten Photography.  Set up as a blog of travel films, this new website will be periodically updated with new content as Cameron prepares for his newest adventure in East Africa.  He will be traveling with Lily Brewis as they begin in Ethiopia before heading south thru Kenya, Tanzania, Burundi, Rwanda & Uganda connecting with various non-profit organizations in an effort to document the change and progress within the region.

The new website can be found at: http://web.me.com/cam2yogi/Cam2yogi_Productions/Multimedia/Multimedia.html

Cameron Karsten Photography at the One World Multicultural Festival – Thursday Nov. 12th 6-8:30pm

BAINBRIDGE ISLAND, WA – November 12, 2009

Cameron Karsten Photography is a portrait of peace.  On Thursday, Nov. 12th from 6 – 8:30PM, an Artist’s Reception at The Upstairs Gallery in The Pavilion commemorates a new display of photography.  Captured from around the world, the Bainbridge Island exhibition kicks-off Cameron Karsten’s upcoming adventure to East Africa and is part of the One World Multicultural Festival; an all-day event celebrating world diversity with international foods, cultural music, exotic dance, conceptual art and independent film.

Along with partner Lily Brewis, the islanders’ journey will begin in Ethiopia, volunteering at an orphanage and continue for five months traveling and working with non-profit organizations like island-based Global Team for Local Initiatives.  Via photography, article writing and HD film footage, they will document the progress of grassroots organizations to create awareness back home of the change occurring within the region.  And as part of their quest, Cameron and Lily will bring the many forms of art to orphaned children and the colorful therapies of textile design to the parents in a drive to heal the divisions of mother/daughter, father/son.

In theme with the journey, the exhibit presents 15 photographs arranged thematically in five distinct categories.  Each will portray a story through words, expressions and composition representing the various meanings of peace, leaving the viewer with both the senses of pain and poverty, serenity and hope.  From the towering Sierra Nevadas to ceremonial worship in the Indonesian archipelago; from the complexities of exile to the minute livelihood of fruit picking, each conceptual image penetrates reality to the core eternal peace.

For additional information please visit Cameron Karsten Photography at www.cam2yogi.com, or One World Multicultural Festival at www.oneworldfestival.wordpress.com

What:  Cameron Karsten Photography Artist Reception

When:  Thursday, Nov. 12th 6-8:30pm

Where: The Upstairs Gallery at The Pavilion

403 Madison Ave. N

Bainbridge Island, WA 98110

206.799.9318