Location: Bainbridge Island, WA
Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens
21mm, 1/6 sec at ƒ/22, ISO 100, tripod.
Post: Adobe LR4 & PS6
Exploration with Culture
Location: Bainbridge Island, WA
Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens
21mm, 1/6 sec at ƒ/22, ISO 100, tripod.
Post: Adobe LR4 & PS6
Lindsay Bergan’s environmental portrait with her Mach II moth sailboat for 1859 – Oregon’s Magazine. Publication for July 2012.
Apex Belltown Cooperative in downtown Seattle, WA for YES! Magazine. Summer 2012 Issue.
Ian Cipra is a man with a passion for apples. Working the tourist crowds of Pike Place Market in Seattle, WA, Ian sells not only apples, but grapefruits, plums, seasonal fruits and loads of vegetables. One day it might be a free slice of pear to push their sales. The next might be an orange. But on this day, he was representing the crisp sweetness of the Jazz apple. And thus the tourists flocked – passing, observing, tasting, purchasing – while the apple man put on a show of wit and camaraderie.
The assignment was to photograph a stranger. Approach someone. Collect a volume of point of views: EDFAT. Broken down, it stands for 1) ENTIRE, for observing the entire subject; 2) DETAILS, dissecting the subject into specific details; 3) FRAME, framing those details into strong, original compositions; 4) ANGLE, to shoot a variety of angles; and 5) TIME, building visuals by using slices of time. After 500 frames, an hour and a half of time, and switching between four different lenses for variety, Ian Cipra came out with energy and sold loads of jazz apples to smiling customers.
Location: Pike Place Market, Seattle, WA
Camera/Lens Specifics: Canon 5D Mark II with various lenses
variety of settings
Post: Adobe LR3 & PS5
As I continue to drive out into the Olympic Peninsula, camera bags full and surf gear packed, I slowly observe the culture of a timber industry unfolding before my eyes. It is a people’s livelihood, their subsistence within the forest, bringing shelters over families heads and food to their hungry tables. And for the blue collar, it is not a wealthy industry. They are the cutters, sawers, operators, drivers and haulers of a civilization taking over the wild places.
With video files and the numerous still images of the cold cloudy spring passing over the Northwest wilderness, this project is evolving into an unbiased perspective of Man vs. Nature, and how the two can equally subsist; prosper side by side and thrive within one another.
Below is the second essay of imagery and visual thoughts from a story of wood deep within the Olympic Peninsula.
Wood; a precious commodity. Cut, sawed, shaped, nailed, lacquered, stained. Occasionally it’s replanted, and years later, generations gone, money is made again. Wood is money. The forests are for sale, for their resources, for their lands, for their habitat. The following images are the start of a multimedia project telling the tale of wood, from origin to combustion, and the phases of transition in-between. How does it effect us? How does it feed us? How is the life under our feet and that above our heads impacted today, tomorrow and those generations ahead?
I had the pleasure to receive a call from past clients at Hair by Firefly, Bronwyn and Todd Baylor of Bainbridge Island, Wa. Together, with LK styling and Alexandra Jeanne Lorenz modeling, we created some stunning images that reflect their style and skill as artists.