Photo of the Day: Polished Candy

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/150 sec at f/4.5, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Photo of the Day: Turkey Trot

Thanksgiving preparations.  An evening of slaughtering organically raised, homegrown and home-cared avians including turkeys, ducks and chickens.

Location: Bainbridge Island, Wa

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4 L IS USM

24mm, 1/100 sec at f/4.5, ISO 100.

Post:  Adobe LR3 & Photoshop CS5

Seattle Central Creative Academy: Photography Assignment (Free Choice)

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/150 sec at f/4.5, ISO 100, tripod mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Product Shapes)

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/8 sec at f/11, ISO 100, table mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Stop/Blur)

Stop/Blur is a challenge with hot lights, or continuous lighting.  Typically, when a flash is used for a photograph, two exposures are taken simultaneously: flash captures the subject and freezes it’s movement, where the shutter speed takes in the ambient light of the atmosphere.  But with hot flashes in a studio, you need enough lights to crank up the shutter speed for a moving subject.  For my shots, I kept the ISO at 100 to record maximum clarity and used five lights and a reflector to highlight the liquid.  My subject? The finest whiskey west of the Mississippi: Stranahan Colorado Whiskey.  Below is my pick, and the remaining at the end of the post are other experiments with the shot.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4 L IS USM

84mm, 1/400 sec at f/9.0, ISO 100, table mount.

Post: Adobe LR3 & PS5

Seattle Central Creative Academy: Photography Assignment (Book Story)

For this assignment we had to practice creating and setting up props to tell a story of a book, whether it portrayed the contents of the book, or a particular message the photographer wanted to convey.  I chose a book entitled Raven of a collection of woodcut art by Dale Burlison De Armond and accompanying parables recorded by John Swanton in 1904.  It is a stunning book, with thick textured paper in a heavy hardbound cover retelling the lost stories of Raven’s mythological significance to Native American culture.  For me this book holds power due to my connection with the bird and its mysterious, resolute rebelliousness, as well as a few personal tales where Raven has played a siginificant role in my life.  The resulting photograph depicts Raven as the creator and destroyer, the creature pulling the strings of our world, playing its game in whatever way Raven wishes.  The book is open to a story entitled, “How Raven Named the Birds”.

The book is elevated on four bricks, allowing me enough room to slide between them and rest beneath the book, giving the perspective of it resting upon my chest.  I cut open a pillow and used its cotton stuffing for clouds and hung various feathers collected throughout my travels on fishing line tied to two c-stand arms above the scene.  They represent the death and rebirth of birds, in this case, rising and falling in and out of the book’s pages.  And signifying the all-powerful bird, I placed Raven in my open mouth as if emerging out of my dead body.  After a number of shots triggered remotely, I was able to merge a few images in PS5 to add two extra Ravens and a few more clouds to the scene.

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4 L IS USM

24mm, 1/13 sec at f/20, ISO 100, tripod mount, trigger fired.

Post: Adobe LR3 & PS5

Photo of the Day: Halo’d

Location: SCCA Studios, Seattle, Wa

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/60 sec at f/8, ISO 200.

Post:  Adobe LR3 & Photoshop CS5

Photo of the Day: Smokin’ Angel

Location: SCCA Studios, Seattle, Wa

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 100mm f/2.8 L Macro IS USM

100mm, 1/80 sec at f/8, ISO 200.

Post:  Adobe LR3 & Photoshop CS5

The Karmic Consequences of Wal-Mart (Location: Bainbridge Island, Washington)

I rose from the television, my evening’s indulgence, and walked through the crystal glare to the kitchen.

Flicking on the lights, I reached the pantry, opened its doors and pulled down two contents: a can of Equal Exchange Organic Hot Cocoa and a plastic bag of Western Family Marshmallows—jumbo-sized.

Outside, a layer of clouds blocked the night sky and a sheet of rain piddled on the patio.  As the teakettle came to a boil, I turned down the gas flame and filled my mug.

The powdered chocolate and white puffs of sugar stirred, and the marshmallows dissolved into sweet perfection.  I wondered: is true sustainability possible?

A Sickness At The Root

Back in the TV room, I continued watching the documentary Wal-Mart: The High Cost of Low Price.  Directed by Robert Greenwald, the film captures the stories of employees and those affected across the United States.

It’s a story of American capitalism gone askew.  Like David versus Goliath, the mega-store behemoth slams into a community and entices families with its cheap plastic products.  We hear from an employed mother forced to seek government-assisted healthcare to raise her children, and a family-owned hardware store crushed by the neighboring Wal-Mart superstructure.

The movie recalled my recent journey to Mazatlan, Mexico and the newly razed soils of tradition to accommodate the acres of asphalt and high ceilings of cheap Wal-Mart goods.  Not only has the corporation captured the minds and bodies of Americans, but now it extends across Mexico, Europe, and countless other countries.

Wal-Mart imports an outrageous amount of overseas products.  On November 29, 2004, Jiang Jingjing of China Daily reported, “The world’s largest retailer, Wal-Mart Stores Inc., says its inventory of stock produced in China is expected to hit US$18 billion this year, keeping the annual growth rate of over 20 per cent consistent over two years.”

That’s an estimated $18 billion pumped out of sweatshop factories employing the young, naïve women, men and children living in poor provinces.  According to Global Exchange, Wal-Mart employs 400,000 workers abroad.

It’s everywhere.  At the beginning of this year, just 15.59 miles from my doorstep, a Wal-Mart Supercenter opened its doors on January 31, 2007 in Poulsbo, WA.  Its 203,000 sq. ft. store provides 525 new jobs in 36 departments that remain open to customers 24 hours a day, seven days a week.

What’s more amazing, apart from the $35,000 donated to local organizations through its Good Works community involvement program, is the fact that twelve miles down the road is another Wal-Mart Supercenter in Silverdale.

The Accomplice In The Mirror

As always, my cocoa was delicious.  Let it be known hot cocoa without marshmallows is not the same.

Continuing with the film, I felt a pang of guilt.  Here I was, drinking organic hot cocoa fairly traded through the worldwide network of small farmers and co-ops, yet I topped the sustainability with gigantic, jumbo-puffed, falsified sugar marshmallows.

No, the marshmallows were not organic, fairly traded, or manufactured with conscious decisions.  They were packed, shipped, stacked and stored for months.  They were not sustainable; the plastic bag unsalvageable—America’s weak recycling programs will not help this time.

The movie ended.  I went to the kitchen sink and washed my brown, sugar-stained mug.  I opened the pantry and perused its contents.  I took note of the products: most were organic, purchased in bulk.  They were stored in containers able for reuse or recycling.

They were fresh and limited; only the necessities and few luxuries, not piled with the excesses of your average soccer-crazed Mom in an over-zealous fear of Judgment Day.  But still…those marshmallows.

Despite my reassurance about the impact I was making on the world, I felt I needed to do more (or less).  This yearning carries me into each and every experience.  It’s one of caring—for the world, for our family of brothers and sisters.

It’s a desire to look forward into the future and make sure we have preserved the beauty of the land and its resources for generations to come.

What more can I do?  What more can we do to better our minds and lifestyles?  And what more can we do to make a difference in the way economies run so economic tyrants like Wal-Mart return to their more modest roots.

Sam Walton, Wal-Mart’s founder, once said, “You can’t create a team spirit when the situation is so one-sided, when management gets so much and workers get so little of the pie.”  I wonder if today’s CEO Lee Scott remembers his words?

The Karmic Consequences

In Mexico, I overheard a woman who had been traveling to Mazatlán for twenty-five years.  She was grateful for the new Wal-Mart and Sam’s Club.  Now just a mere five-minute pulmonia ride, she buys all her groceries as if she were back home.  “We arrive. We shop at Sam’s Club.”

I found myself that night in the heart of Old Mazatlán, wandering the Centro Historic in Mercado Pino Suárez.  This was Mexico.

The large market holds vendors offering traditional foods of homebrewed recipes to clothing and appliances.  It felt real.  It was a culture supporting its people.  It was their livelihood mingling among their rich traditions of agriculture, textiles and cooking.

Purchase Made

Back home, the US continues to expand and dominate other regions from the Latin world, to China, India and Bangladesh, to Europe and beyond.

There are those among us who condemn this expansion, who believe in a higher standard, not of income or consumption, but something that far surpasses the physical world.  We’ve come to recognize Mother Earth’s life.  If some don’t take notice, it’s bound to fall into hands more omniscient.

On March 15, 2007 the Wal-Mart of Poulsbo saw a glimpse resistance.  The Seattle Times reported a suspicious fire that broke out in the women’s undergarment department causing one million dollars of damage.  Nobody was injured and officials are looking into suspected arson.

Seattle Central Creative Academy: Photography Assignment (Selective Focus)

Location: SCCA Studios, Seattle, WA

Camera/Lens Specifics: Canon 5D Mark II with Canon EF 24-105mm f/4 L IS USM

105mm, 1/250 sec at f/4, ISO 1000, table mount.

Post: Adobe LR3