With five consecutive days of creating conceptual shoots in and around Port Townsend, WA, on Monday, June 6th, I convened at Jefferson County International Airport with an empty canvas to play with. Six hours later amidst a host of amazing hands to help with construction and execution, the above shot went from imagination, visualization to fruition. Welcome to the ring where “Fight Club” meets “Top Gun” and the varying portraits of the characters taking place in the raucous carnival.
The hands were aplenty and the gear a variety. Shot with a Mamiya 645 AFD III digital body and a Mamiya 35mm f/3.5 AF lens, ProFoto heads, ProFoto B4 Battery Pack, ropes loaned from Net Systems and costumes from The Federal Army and Navy Surplus Store in Seattle. Scott at Tailspin Tommy provided the 1941 Jeep Willy and the retro Norton motorcycle along with the planes in the background. Thank you to all those involved, including Bill Gratton of Mac-On-Campus and Ralph Portillo of Glazers Camera.
Location: Jefferson County International Airport – Port Townsend, WA
Camera/Lens Specifics: Mamiya 645 AFD III with Mamiya 35mm f/3.5 AF Lens
35mm, 1/50 sec at ƒ/16, ISO 50, tripod, composite.
Post: Capture One & Adobe PS6



















































































Photo of the Day: Athena Devouring Her Soldiers
Inspired by Francisco Goya’s 1819-1823 oil painting Saturn Devouring His Son, the above project speaks of humanity’s innate compulsion to send its soldiers into the throes of death. We fight for land. We fight for possession and power. It is our willingness to send man and woman into war; and Athena above, goddess of warfare (and wisdom) unleashes her rage over the very men and women we as a people send into battle.
On the other side of the coin, we also fight for freedom, for a voice, for the ability to live our lives as we choose. There are always two sides, our decisions coming from a place we find within ourselves.
Shot with three Q-flashes, black back drop, and a 6-stop neutral density filter allowing me to shoot wide open, I brought the subject as close to the wide angle lens as possible to create distortion in her face and hands. Goya’s image is offered below for reference.
Location: private residence
Camera/Lens Specifics: Canon 5D Mark III with Canon EF 16-35mm f/2.8L II USM Lens
16mm, 1/80 sec at ƒ/2.8, ISO 100, tripod.
Post: LR4 & Adobe PS6