Photography: Seattle Towers
Global Team for Local Initiatives & Lori Pappas
Come join Lori Pappas, founder of BI-based Global Team for Local Initiatives (GTLI) on Friday, December 10th, from 5 – 6:30PM at The Bainbridge Commons on Bainbridge Island. As founder of the non-profit, Lori spends over six months in Africa working with the Hamar Tribe of southwest Ethiopia and has returned to WA to share her stories of building a school to educate the Hamar women, as well as the trials of teaching the people basic hygiene and sanitation as preventative illness practices. Earlier this year, Lily Brewis and I spent 10 days with Lori and the Hamar, documenting GTLI’s work with pictures and film. I’m pleased to announce the debuting of the first short film I’ve helped put together about their work among the Hamar. There will also be a slideshow, drinks and snacks to consume, as well as authentic Hamar jewelry and two fine art prints by Cameron Karsten Photography (matted and framed) depicting the Hamar people available for purchase. Proceeds will go towards Global Team for Local Initiatives. I hope to see you there!
Global Team for Local Initiatives and the Hamar Tribe of SW Ethiopia
Global Team for Local Initiatives (GTLI) is dedicated to helping indigenous people lead healthy lives. Working closely with tribal elders, GTLI helps implement sustainable development projects for long-term survival and income generating activities for immediate relief.
Currently, GTLI is working with the 23,000 member Hamar tribe in remote southwest Ethiopia. Through projects in water, health, education, and income generation, they are helping this ancient tribe, affected by drought and disease, gain the skills they need for continued survival.
Visit www.gtli.us for more
Paying for Your Mind: The Magic of Venezia (Location: Venice, Italy, Europe)
Venice. Silence all but the jabbering tourists, grumbling water taxis and yapping dogs. The days of Venice are mystical, a realm from an ancient water world. Nights upon the isles are a mesmerizing mystery with foggy passages and cold stonewalls. The gypsy coin peddlers back in Florence and Rome feel like a gossamer memory from youth.
Amidst the city, some four hundred gondolas make their rounds, kicking off enclosing walls for guidance as they pocket a romantic’s savings. In their adept grace and good humor, the stillness of the narrow waterways off the main aquatic freeways simply adds to the hypnotic state found upon the lands of the Venetian lagoon. Albeit, even the temporal condition of a traveler’s enthrallment comes with a price. The fee for a few days upon The Queen of the Adriatic is priceless.
WHAT THE VENETIAN CREATURES CALL HOME
On the first evening’s arrival, a numinous fog hung onto the waters off the canal. Wandering through the alleys, the walls and cobbles wet with dew, people shouted and echoed, their faces obscured by the condensation off their breath. Things felt tight, empty, until the principal square of Venice opened into an expanse. Piazza San Marco, where the 16th and 17th century walls faded into a dream as tours of pigeons and people gathered for feed and sociability.
Under the mystique of the sky, consumed by the omnipresence of these Venetian creatures, lights along the outside of the San Marco perimeters snapped into luminescence by the touch of a reclusive finger. The crowds, under the trance of the sudden whim of magic, wailed in exasperation, and together they hummed, creating a synchronized tune amidst San Marco’s grandiosity.
Like the Doge’s command, the crowd’s choir quickly faded as Beethoven’s quintet raged with passion. Outside a café, the classy four-piece band battled with another opposite the square. From Mozart to Luciano Pavarotti into the classic modernity of The Sound of Music, the front ensembles in stiff tuxes fought each other for the thickest audience. By feet, the music was free, yet under the carefree ambiance at a table in the piazza, nothing went without a charge.
EXCUSE ME, WAITER
With the appellation applied to the Adriatic city, every nook and cranny is entitled to the Queen’s throne.
At Caffé Florian, a small table draws up two tweed seats. Settling into San Marco’s atmosphere, people watching and inhaling the thick sea air passes time as service flies away with a pigeon. Eventually, a well-tucked and tight-fitted waiter consisting of frigidity and an empty tray appears without a gaze. Eight euros – a glass of white wine. Eight euros – a set of tea infused with lavender. An hour ticks. Nothing seems to matter but a refill.
Within Venice, twilight morphs into a yellow evening as street lamps alight like single shard from a dying sun. The pigeons disappear, as do the clusters of families with their young throwing feed and karate-kicks. Life appears to slow down as echoes through the street become more commonplace and mist from the November fogs settle atop shoulders. Things feel vacant and the intimacy of a Venetian restaurant lurks between its neoclassical alleyways.
Café tabs paid, the cover charge for ambiance is no less surprising. It’s complete with all of Venice; from the city’s Piazza San Marco with its gaudy basilica, its bell towers and their clapping ring upon each hour, to the historical empire, mystique seclusion, hordes of civilization, to the famed crafts of blown glass on the isle of Murano and the Venetian school of Renaissance paintings by the Bellinis and Vivarinis. It’s the foggy ambiance of surrealism, whether sunny, rainy or dreary under a gray layer of high clouds. In essence, it is Venezia and it’s worth it, including the supplemental music charge.
Looking around, the tables are full and will be for the remainder of the evening. Therein, each person at each table pays a bill and coin of five and fifty euros just to sit and indulge in the magic of Venice.
THE BELL’S BRONZE, A HEART’S GOLD
With time’s strike upon the hour, the two bell towers ring and heads turn skyward. The same hum radiates from the many mouths at that moment, looking up and then turning back down to smile and find the lover, the family, the friend or stranger with eyes of equal amusement. Venice is a silent bustling paradise marooned from the cultures abroad where the Queen timelessly sings.
BPA’s The Rocky Horror Picture Show
Directed by Steven Fogall and choreographed by Joanna Hardie, Bainbridge Performing Arts of Bainbridge Island, WA let their stars shine from October 15 – 31, 2010 as Brad (DeSean Halley) and Janet (Bronsyn Foster) wound up in the hands of Frank ‘n’ Furter (Todd Baylor). This classic story by Richard O’Brien was first performed live as a musical in 1973 and later adapted onto the movie screen as the well-know 1975 film starring Tim Curry, Susan Sarandon and Barry Bostwick. This year’s BPA production was one-of-a-kind, riddled with ripe humor and lustrous vocals, deserving its own local cult following.
Bainbridge Island, WA – November 2010 Freeze
Monday, November 22nd, 2010. It’s dark – 7PM – and the power just went out. Outside, the wind howls upon the walls, ducking into niches, overhangs, and under door seams. It whistles. It cries. It tears apart the outside world. With layers of clothing, I step into the storm in search for the power it has taken from my home. This is what I find.



























































































































































